Walter Martin

1953      Born in Norfolk, VA
1980      B.A. Old Dominium University, VA
1983      M.F.A. Virginia Commonwealth University

One Person Exhibitions

2023 Strange Winter, curated by Art Martin, Muskegon Museum of Art Muskegon, MI

2022 The Houses Are Blind, but the Trees Can See, Instituto Cervantes, New York, NY
Las Casas Ciegas, Galería Isabel Hurley, Málaga, Spain

2019  A Mind of Winter, curated by Thorsten Sadowsky and Tina Teufel with Stefanie Jones,
Museum der Moderne Rupertinum, Salzburg, Austria
Blind House. Utopia and Dystopia in the Age of Radical Transparency, curated by Amanda Krugliak,
Institute for the Humanities, University of Michigan, Ann Arbor, MI

2018   Spheres, Centro de Arte Tomas y Valiente, Madrid, Spain

2017   Snowbound, Cheekwood Botanical Garden & Museum of Art, Curated by Brian Downey, Nashville, TN

2015   Cross Pollination, curated by Lisa A. Banner, The Institute of Fine Arts NYU, New York, NY

2012   Night Falls, P·P·O·W Gallery, New York, NY
Walter Martin & Paloma Muñoz, MOCA, Virginia Beach, VA

2011   White Nights, University of Michigan Institute for the Humanities, Ann Arbor, MI

2010   Travelers, Shinsegae Gallery, Seoul, South Korea, 

2009   Walter Martin & Paloma Muñoz: Wayward Bound, John Michael Kohler Arts Center, Sheboygan, WI

2008   Buried 'till Spring, Galeria Isabel Hurley, Malaga, Spain
Objects and Photographs, Bentley Gallery, Scottsdale, AZ
Islands, P.P.O.W Gallery, New York, NY

2007   Secrets Sleep In Winter Clothes, MAM Mario Mauroner Contemporary Art, Vienna, Austria

2006   White Out, ARCO Projects,Madrid, Spain
Photographs, Cerealart Project Room, Philadelphia, PA

2005   Cold Front, P.P.O.W Gallery, New York, NY

2004   The Frigid Zone, Mario Mauroner Contemporary Art Salzburg, Austria
Travelers, Museo de la Universidad de Alicante, Spain
Travelers, Rhona Hoffman Gallery, Chicago, IL

2003   Travelers, P·P·O·W Gallery, New York, NY
Travelers, Moriarty Gallery, Madrid, Spain

2001   P·P·O·W Gallery, New York, NY

2000   Loss of Experience, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA

1999   Dis, Momenta, Brooklyn, New York
Martin & Muñoz, Espacio Caja de Burgos, Burgos, Spain

1998   P·P·O·W Gallery, New York, NY

1997   Alejandro Sales Gallery, Barcelona, Spain

1996   P·P·O·W Gallery, New York, NY
Moriarty Gallery, Madrid, Spain

1994   A Cure for all Remedies and Other Short Stories, P·P·O·W, New York, NY

1993   The Chrysler Museum, Norfolk, VA

1992   P·P·O·W Gallery, New York, NY

1991   Drawings from the Patent Office, P·P·O·W, New York, NY

1989   P·P·O·W Gallery, New York, NY

1988   P·P·O·W Gallery, New York, NY

1986   P·P·O·W Gallery, New York, NY

1984   P·P·O·W Gallery, New York, NY

Group Exhibitions

2024
Mucho cuento. Relatos visuales en la colección del MUA, MUA, Alicante, Spain
2023
Fairy Tales, curated by Amanda Slack-Smith, Queensland Art Gallery I Gallery of Modern Art, Brisbane Queensland, Australia.
2022
Sammlungspolitik. Neuzugänge im Museum der Moderne Salzburg, curated by Christina Penetsdorfer and Thorsten Sadowsky, Museum der Moderne, Salzburg, Austria
Patrimonio de Nuestra Ciudad. Colección de Arte del Ayuntamiento de Fuenlabrada, Centro de Arte Tomás y Valiente, Madrid, Spain
2019
Alianza del ojo y el alma: Visiones del paisaje en la colección Norte, Sala de exposiciones Concepción Arenal, curated by Gloria Bermejo.
2018
Sculptural Highlights, Corkin Gallery, Toronto, Canada
Downsized: Small Scale Sculpture by Contemporary Artists, Curated by Kathy Reichenbach,
Bruce Museum, Greenwich, CT
Through That Which Is Seen, curated by Andrea Antonaccio-Wagner, Palo Alto Arts Center, CA
Truth or Dare: A Reality Show, 21C Museum Hotel, Cincinnati, OH
2017
The Times, Curated by Stephanie Roach,The FLAG Art Foundation, New York, NY
Truth or Dare: A Reality Show, 21C Museum Hotel, Nashville, TN
Figure 8, Michael Foley Gallery, New York, NY
How Much is Too Much?, A Plus A Gallery, Venice, Italy
2016
Off the Page, Curated by Tiffany Fairall, Mesa Art Center Museum, Mesa, AZ
32°: The Art of Winter, Curated by Carolyn Bauer, Shelburne Museum, Shelburne, VT
Mirror Mirrored: Art Meets the Monsters, Washington Project for the Arts, Washington, DC
curated by Michelle Aldrege and Corwin Levi, travels to Sharon Arts Center, Peterborough, NH
Destins, Museo de  la Universidad de Alicante, Alicante, Spain
2015
Made to Capture, curated by Kristen Accola, Hunterdon Art Museum, Clinton, NJ
2014
Disturbing Innocence, Curated by Eric Fischl, The FLAG Art Foundation, New York, NY
Smoke and Mirors III - The Magic of Photography, Gilman Contemporary, Ketchum, ID
It's a Small World, Galerie d'art du Conseil général des Bouches-du-Rhône Cours Mirabeau, Aix-en-Provence, France
2013
Shattered, Frederik Meijer Gardens and Sculpture Park, Grand Rapids, MI
Playtime, Colección de Arte Conteporáneo La Naval III, Museo Nacional de Arqueología Subacuática, Cartagena, Spain
Changes of Scenery, Island Phantasies, curated by Thorsten Sadowsky,
Museum Kunst der Westküste, Föhr, Germany
Nunca Jamás, curated by Sema D'Acosta, Fundación Valentín de Madariaga, Sevilla, Spain
Grand Central Centennial Celebration, New York Transit Museum Gallery Annex, New York, NY
AIPAD, Park Avenue Armory, PPOW Gallery, New York, NY
2012
Fairy Tales, Monsters, and the Genetic Imagination, Frist Center for the Visual Arts, Nashville, TN
travels to the Winnipeg Art Gallery, Manitoba and the Glenbow Art Museum, Calgary, Canada.
FUSION: A New Century of Glass, Oklahoma City Museum of Art, Oklahoma City, OH
Minimal, Hå gamle prestegard, Hå kommune, Norway
Happily Ever After?, Sun Valley Center for the Arts, Sun Valley, ID
Otherwordly, Lille 3000, Lille, France
Behind the Portrait, Tatiana Kourochkina Contemporary Art Project, Barcelona, Spain
Uncommon Ground, Forum Gallery, New York, NY
2011
Peace on Earth: Art Against War, Forum Gallery, New York, NY
Otherworldly, curated by David Revere McFadden, Museum of Arts and Design, NY
Travelers: Objects of Dream and Revelation, Bellevue Arts Museum, Bellevue, WA
The Art of Caring: A Look at Life through Photography, MOA Fort Lauderdale, FL travels to
The Art Museum of South Texas, Corpus Christi, TX
30: A Brooklyn Salon, the BRIC Contemporary Art 30th Anniversary Exhibition, BRIC Rotunda Gallery, Brooklyn
2010
At the Edge: Subversive Ideas and New Forms, Portsmouth Museum Art, NH
Transparency and Trans-formations in Contemporary American Art, US Residence Stockholm, Sweden
The Art of Caring: A Look at Life through Photography, Cincinnati Museum Center, Cincinnati, OH
SHOOT!, Imago Galleries, Palm Desert, CA
It's a Set-up, Museum of Contemporary Art Kiasma, Helsinki, Finland
2009
We, Mario Mauroner Contemporary Art Salzburg, Austria
Ultra Sonic, Mark Moore Gallery, Santa Monica, CA
New Now, Nerman Museum of Contemporary Art, Overland Park, KS
Playing Around, The Brattleboro Museum and Art Center, Brattleboro, VT
The Art of Caring, New Orleans Museum of Art, New Orleans, LS
The Garden at 4 P.M., Gana Art, New York, NY
Efecte Souvenir, DHUB Montcada, Barcelona, Spain
The Beauty of the Mistake, LX Factory, Lisbon, Portugal
La Vida Privada, Colección de Josep Maria Civit, MUBAG, Alicante, Spain
Between History and Memory, Herron School of Art and Design, Indiana University, Indianapolis, IN
2008
Cool!, George Adams Gallery, New York, NY
Caucus, Schroeder Romero Gallery, New York, NY
Artists Plates, Nohra Haime Gallery, New York
La Vida Privada, Colección de Josep Maria Civit, CDAN, Fundación Beulas, Huesca, Spain
Paris Photo, Aperture Foundation, New York
Art Chicago Contemporary Art Fair, P.P.O.W., Chicago, IL
2007
Am Schlimmsten / Nicht im Sommer sterben, Nassauicher Kunstverein e.v.,Wiesbaden, Germany
Lost in the Woods, University of Arizona Museum of Art, Tucson, AZ
PULSE Art Fair, Soho Studios, Miami, FL
ARCO Art Fair, P.P.O.W., Madrid, Spain
Korea International Art Fair, Galería Moriarty, Spain
Art Chicago, P.P.O.W., Chicago, IL
Colección Norte, Casa de las Aguilas, Santillana del Mar, Cantabria, Spain
2006
PULSE Art Fair, P.P.O.W. Miami, FL
NADA Art Fair, CEREALART, Miami Beach, FL
Au Courant, Bentley Projects, Phoenix, AZ
Das Leben ein nicht endendes Fieber, Galerie Eugene Lendl, Graz, Austria
Little Disasters, Mauroner, RoomnumberOne, Vienna, Austria
Fête, Locks Gallery, Philadelphia, PA
Through the Rabbit Hole: Sleights of Scale and Flights of Fantasy, 21C Museum Hotel, Louisville, KY
Escenografías Simuladas. Fondos de la Colección Caja de Burgos,
Iglesia de Santa Eulalia dei Catalani, Palermo, Italy. Travels to Instituto Cervantes, Stockholm, Sweden
Paradisio & Inferno, Mario Mauroner Contemporary Art, Salzburg, Austria
Doubletake, Schroeder Romero, New York, NY
Ars 06, Sense of the Real, Museum of Contemporary Art KIASMA, Helsinki, Finland
New Art, New York: Reflections on the Human Condition, Hangar 7-Red Bull Kunsthalle, Salzburg, Austria
Where Truth Lies, Anne Reed Gallery, Ketchum, ID
Foreign Affair, Albany Arts and Culture Program at the Albany International Airport, Albany, NY
From the Island of Misfit Toys, Ben Maltz Gallery, OTIS College of Art and Design, Los Angeles, CA
An Assesment of Contemporay Figuration, David Klein Gallery, Birmingham, MI
Art Brussels, MAM Mario Mauroner Contemporary Art, Belgium
CIGE, China International Gallery Exposition, Galeria Moriarty, Beijing, China
2005
Art Cologne, Mario Mauroner Contemporary Art, Cologne, Germany
The Empire of Sighs, curated by Andrea Pollan, Numark Gallery, Washington, DC
Summertime, Mario Mauroner Contemporary Art, Vienna, Austria
New Art, New York: Reflections on the Human Condition, Trierenberg Holding AG, Traun,  Austria
Memoria y Deseo, Fundación Foto Colectania, Barcelona, Spain
In Focus: Contemporary Photography from the Allen G. Thomas Jr. Collection, North Carolina Museum of Art, Raleigh, NC
Presencias/ Ausencias La Colección, CAB, Burgos, Spain
Arts for Transit Along the Way, UBS Gallery, New York
ARCO, Galeria Moriarty, Madrid, Spain
Foreign Affair, The Center for Photography at Woodstock, NY
Rearranged/Redefined: Domestic Objects Reconsidered, Main Line Art Center, Haverford, PA
Paradisio e Inferno, MAM, Mario Mauroner
Arte Fiera, Mauro Mauroner Gallery, Bologne, Italy
Art Brussels, MAM Mario Mauroner Gllery, Brussels, Belgium
2004
Le Drôit de Rève, Mario Mauroner Contemporary Art Salzburg, Austria
ARCO, Galería Moriarty, Madrid, Spain
The Art Show, PPOW Gallery, New York, NY
Miami Art, PPOW Gallery, New York, NY
Art Cologne, Galerie Academia, Salzburg, Austria
2003
MetroSpective at City Hall Park, Public Art Fund, New York, NY
Multiple, Nassau Museum of Contemporary Art, Long Island, NY
Decade, Schroeder-Romero Gallery, Brooklyn, NY
Hot Summer in New York, Sean Kelly Gallery, New York, NY
Miami Art, PPOW Gallery, New York, NY
White, Bill Maynes Gallery, New York, NY
2001
Animas!, The Rotunda Gallery, Brooklyn, NY
Mimic, GaleGates Gallery, Brooklyn, NY
2000
Canal de Seducción, Valladolid, Spain
Fantasies and Curiosities, The Art Museum, Florida International University, Miami, FL
Plastic Monuments, Centro Municipal de Exposiciones Subte, Montevideo, Uruguay
Snapshot, Comtemporary Museum, Baltimore, MD
1999
True West, P·P·O·W, New York, NY
1998
De Imagenes y Soportes, curated by Marta Dahó, Palacio Revillagijedo, Gijon, Spain
Rights of Spring, P·P·O·W, New York, NY
Seeing Money, The Rotunda Gallery, Brooklyn, NY
1997
Objectivity: International Objects of Subjectivity, Contemporary Art Center of VA, Virginia Beach, VA
No Small Feat: Investigations of the Shoe in Contemporary Art, Rhona Hoffman Gallery, Chicago, IL
Wit, Whimsy & Humor, curated by Mary Close, Castle Gallery, College of New Rochelle,
New Rochelle, NY
The Chalkboard Chronicles, TZ Art & Co., NY
1996
Domestic Partnerships, Art in General, New York, NY
Group Hanging, Griffin Linton Gallery, Venice, CA
Homebodies, La Salle Partners at Nations Bank Plaza, Charlotte, NC
The Subverted Object, Ubu Gallery, New York, NY
Changing Places, Metro Tech Center, The Public Art Fund, Brooklyn, NY
Restos Humanos, Alejandro Sales Gallery, Barcelona, Spain
1995
Revisiting the Landscape, California Center for the Arts, Escondido, CA
(Unpainted to the Last): Moby Dick in American Art 1940-1990, The Spencer Museum of Art, University of Kansas, Lawrence, KS
USA in Arco, curated by Kevin Consey, Arco, Madrid, Spain
1994
Body Human, Nohra Haime Gallery, New York, NY
Trajectories, The Spanish Institute, New York, NY
Woodworks, Adam Baumgold Fine Art, New York, NY
The Arabesque, P·P·O·W, New York, NY
1993
Art/Functional Art, Turbulence, New York, NY
1991
Dead Heroes, Disfigured Love, curated by Christopher Sweet, Lorence Monk Gallery, New York, NY
1990
Writ in Water, Solo Press/Solo Gallery, New York, NY
Crown Press, New York, NY
1989
Gothenburg Art Gallery, Sweden
Sundsvalls Museum, Sweden
Sodertalje, Sweden
Studio Exhibition, P.S. 1 Museum, Long Island City, NY
1988
Sculpture Inside Outside, Walker Art Center, Minneapolis, MN (Winter 1989, show travels to Museum of Fine Arts, Houston, TX)
Esbo Museum of Art, Helsinki, Finland
Norrkoping Museum of Art, Sweden
Desire Paths, The Schulman Sculpture Garden, White Plains, New York
1986
Four Sculptors, P·P·O·W, New York, NY
1985
57th Between A & D, Holly Solomon Gallery, New York, NY
East Village at the Centre, Saidye Bronfman Centre, Montreal, Canada, curated by Katya Arnold
Sculpture, Objects & Related Drawings, Art Palace, New York, NY
Out of Context, Piccadilly Gallery, catalogue, London, England
New Work, P·P·O·W, New York, NY
A Brave New World, A New Generation, Udstillingsbygning ved Charlottenborg, Copenhagen, curated by Thomas Solomon; traveled to Lunds Konsthall, Sweden, (Catalog)
1984
Summer Group Exhibition, P·P·O·W, New York, NY
Behind The Stacks: 4th Annual Artists Books, Kathryn Markel Gallery, New York, NY



Outdoor Sculptures and Installations

2022   The Trees Are Watching, Cervantes Institute, New York, NY

2013   Snow Day, PS133, Brooklyn, NY

2012   Starting to Sea, Johns Hopkins Hospital, Baltimore, MD

2005   Travelers, Wilshire/Normandie Metro Rail Station, MTA Metro Art, Los Angeles, CA

2003   MetroSpective at City Hall Park, City Hall Park, New York, Public Art Fund, NY

2002-03Travelers, Grand Central Terminal, MTA Arts for Transit, NY

2001   Forbidden Door, Bloomberg LP, Public Art Fund, NY

1997-2000A Gathering, MTA’s Arts for Transit Program, Canal St. Station A, C and ELines, New York, NY

1998   Forest, Metro Tech Center, Public Art Fund, Brooklyn, NY

1996   Changing Places, Metro Tech Center, Public Art Fund, Brooklyn, NY

1988   911, The Schulman Sculpture Garden, White Plains, NY


Selected Bibliography

2023

Copage, Eric. `Hidden Art: A Rhapsody for the Soul, in 10 City Corners,´ The New York Times, Arts & Design, October, 6 (Accesed online October 6, 2023)
Beuth, Patricia et al. `Wie künstliche Intelligenz die Kreativwelt revolutioniert´, competitionline.com, (accessed January 26, 2023)
Mulholland, Aefa. `A Playful Distillation of Place: The Colorful History of Snow Globes´, Ornamentum, Magazine Issue: Spring/Summer 2023, (Accessed August 9, 2023)
2022
Sadowsky, Thorsten. `Collecting Policy. New Works in the Museum der Moderne Salzburg´, exhibition catalog, Museum der Moderne, Salzburg. pgs. 4, 33-34
2020
Sadowsky, Thorsten. `Vorwort. A Mind of Winter. Walter Martin & Paloma Muñoz´, exhibition catalog, Museum der Moderne, Salzburg. pgs. 9-11
Teufel, Tina. `American Gothic. Walter Martin & Paloma Muñoz´, exhibition catalog, Museum der Moderne, Salzburg. pgs. 13-23
Mätzler, Ruth .`Schneesturm im Wasserglas –Schlechtwetterwarnung für den Kitsch´, exhibition catalog, Museum der Moderne, Salzburg. pgs. 25-31
Ehlers, Dorit. `A Mind of Winter´, exhibtion catalog, Museum der Moderne, Salzburg. pgs. 32-33
Schuffelen, Peter. `Making-of: Miniaturwelten Walter Martin & Paloma Muñoz´, Photographie Magazine, Germany, pgs. 2, 80-90
Walter Martin et Paloma Muñoz. (aparté) Automne 2020. PORTFOLIO. Editions Palo Alto, Canada
What Artists Are Doing Now: Walter Martin & Paloma Muñoz in Spain, Arterritory.com, https://arterritory.com/en/visual_arts/articles/24783 what_artists_are_doing_now._artist_duo_walter_martin_and_paloma_munoz_in_spain
2019
Sharp, Sarah Rose. `Strangely Unsettling Photographs of Windowless Houses´, Hyperallergic.com, April
Kohler Myrta, ’Vermessung der Privatesphare’, competitionline.com, November 29th, 2019
2018
Hart, Kim. `A Brief History of the Snow Globe´, Artsy.com, December
Gleisner, Jacquelyn. `Downsized: Small-Scale Sculpture by Contemporary Artists´, Art New England Online, Nov/Dec, pg. 54
Porges, Maria. `Through That Which Is Seen´, Sculpture Magazine, Summer Issue, pgs. 65-66
D'Acosta, Sema. `Cuento de invierno´, exhibition catalogue, 44 pgs. CEART, Madrid, Spain
2017
Hilker, Anne. `The Snow Globe as an Object of Wonder´, in Wonder in Contemporary Artistic Practice, Edited by Christian Mieves and Irene Brown. New York/London: Routledge p. 89—104.
2016
Freeman A. Lindsey. `Catastrophic Snowglobes as Oneiric and Mnemonic Gadgets´, Space and Culture,  sac.sagepub.com, January
`Walter Martin & Paloma Muñoz´, Interview by Anne & Julien, Hey! Magazine, France, pp. 174-75
Cariere, Cameron. Zebracki, Martin. `The Everyday Practice of Public Art: Art, Space, and Social Inclusion´,
ISBN-13: 978-1138829213, pgs. 19,20 2015
A. Banner, Lisa. `Cross-pollination´, Walter Martin & Paloma Muñoz,  Display Cases at NYU
ABFLY Magazine, ´Mondi Di Neve. Sogni Vision de Martin e Munoz´, pp. 50-52, December
`Walter Martin & Paloma Muñoz´, The Chattahoochee Review, Migration Issue, Fall and Winter
pp. 14-148
Cummins, Anthony. `Lucky Alan and Other Stories by Jonathan Lethem review – more reality-bending fables from the master.´ The Guardian, July 15
Ambridge, Brittany. `On Location. Soho,` The New York Times, October 22
2014
Fischl, Eric. `Disturbing Innocence´, exhibition catalog, pg. 24
Bloodworth, Sandra, and Ayres, William. New York's Underground Museum. MTA Arts & Design. New York: The Monacelli Press, pgs. 74 -75
`Walter Martin & Paloma Muñoz: Dedicated Diggers´, Interview by Fanny Montgomery. New York: Musee Magazine,  Spring Issue, pgs. 144-151
2013
Sadowsky, Thorsten. "Szenenwechsel",  by Thorsten Sadowsky. Published by Museum Kunst der Westküste, Föhr, Germany, pgs. 90-93
Westbrook, Mary. `Martin & Muñoz´, Distinction Magazine with photographs by Deborah Feingold, May 12th.
Daudy, Hélène. L'Art de L'Ailleurs, Edition Palette,  France ISBN: 978-2-35832-131-0, p.p. 69-70
2012
Gemmel, Grace-Yvette. "At PPOW Gallery, duo Martin and Munoz create delightfully dark snow scenes in miniature", Politico
Fairy Tales, Monsters and the Genetic Imagination, Edited by Marc Scala, Paperback, Nashville: Frist Center for the Visual Arts
Zipes, Jack. The Irresistible Fairy Tale. The Cultural and Social History of a Genre. Princeton: Princeton University Press. pg.153
Annas, Teresa. `Snow globes get a shake-up at Virginia MOCA´, The Virginian Pilot and cover of Pulse magazine, December 20th
Murphy, Kate. `The World Through a Flurry of Snow´, The New York Times, Fashion Style. December, 19
2011
Herman, Jane.  `Come and Get It!´, Interview, NY Times T Magazine, December 2nd, 2011
Upchurch, Michael. ´BAM's 'Travelers': postcards from the Edge´, Seattle Times, September, 15
Dykstra, Jean.  `Walter Martin and Paloma Muñoz: Night Falls´, at P.P.O.W Photograph.com February 20, 2011
Gemmell, Grace-Yvette. `Walter Martin & Paloma Muñoz´, Capital NY, February 2012
McFadden, Revere David. Seeing and Knowing", catalog from Otherworldly: Optical Delusions and Small Realities, pp. 8-31 New York: Museum of Art and Design
2010
Gray Stites, Alice. `What is Now, What is next: Transparency and Trans-formations in Contemporary American Art´, Catalog Essay Transparency, U.S. Embassy Stockholm, Sweden.
2009
Olaussen, Hege. `Snøkuler som samtidskunst´, Kunst Og Kultur, Nr. 4/ 2009 Årg. 92 p.p.230-239
Clark, Tim. `Walter Martin & Paloma Muñoz´, 1000 Words Photography, Fall 2009 #06
Rice, Robin. `Encasement´, Glass Quarterly, Winter Issue 113, pg
Castaños, Enrique. `Dramas cotidianos disimulados´, Sur de Málaga
2008
Wellershoff, Marianne. `Massaker im Kunstschnee´, Spiegel Online, 16.12.2008
Dambert, Samuel & Guiguet, Anne-Sophie, `Nuit Blanche´, Citizen K International, p.p. 140-141
Harrod, Horatia. `All Shook Up´, The Sunday Telegraph, November 16th, pg 26-27
Lethem, Jonathan. `Traveler Home´, Travelers, artists' monograph, 96 pages, 40 full-color plates. New York: Aperture
Clark, Tim.` Travellers´, Next Level magazine, Issue 14, p.p. 14-21
McGee, Celia. `Aesthetic Heft, Sized for a Snow Globe´, The New York Times, Arts & Leisure, January 6, pg.19
Ganis, William B. `Walter Martin & Paloma Muñoz. Islands´, Glass Quarterly, June, pg.77
Yablonski, Linda. `Walter Martin & Paloma Muñoz: A Romance´, exhibition catalog essay, Islands. New York:  PPOW Gallery
Dauerer, Verena.  `Emotional Tempest, In a Snow Globe´, interview. Tokyo:  PingMag, July 25
Mukherjee, Neet. `The Times Christmas Books 2008: Graphic Novels´, The Times, UK, November, 28
Cover, "Traveler CLXX at Night", Harper's Magazine, October 20082007
2007
D'Acosta, Sema. `Blanco y Negro (Petroleo y Nieve)´, La Fresa.org, March
Alemany, Luis. `El Arte en la era del calentamiento global´, El Mundo, Feb. 17
Vidal Olivera, Jaume. `Walter Martin & Paloma Muñoz´, El Mundo, Feb. 21
Nunez-Fernandez, Lupe. `Martin & Muñoz at the Nassauicher Kunstverein, Wiesbaden´, Saatchi-gallery.co.uk, March
Isaac Santana, Andrés. ‘El Objeto Paranoico’, exh. cat. “Buried ‘till Spring”, pgs. 2-8
Zanabria, Raúl. ‘Diálogos en clave gótica’, exh. cat. “Buried ‘till Spring”, pgs. 14-18
2006
O'Neal, Lauren. `Report from Helsinki´, Art New England, October/November
Somerstein, Rachel. `The Weather Inside is Frightful´, Artnews, Oct. p.p. 122-125
French, Christopher. `Ars'06: Sense of the Real´, Art Papers, Sep-Oct, p. 48-49
Lange, Christy. `Ars'06´, Frieze, Summer Issue, p. 278
Simon, Amy. `Ars 06´, Artforum, April, p.290
Herzog, Samuel. `Hüsteln im Paradies´, Neue Zürcher Zeitung, March 7th, Nr.55, p. 37
Hirvonen, Ari. `Encounters on Emerging Boundary Spaces´, exhibition cataloge Sense of the Real, Ars 06, Museum of Contemporary Art KIASMA, Helsinki, p.p. 39-45
Olmo, Santiago B. `Winter Journey´,  exhibition cataloge Sense of the Real, Ars 06, Museum of Contemporary Art KIASMA, Helsinki, p.p. 160-163
Hannele, Jäämeri. `Lähde tunteisiin´, Suomen Kuvalehti, January, p.3, 46-47
2005
Garrido, Lola. `Memoria: Archivo del Tiempo´, Exhibition Catalog, Memoria & Tiempo. Barcelona:  Fundación Foto Colectania, p. 13 and photo cover
Hake, Elaine. `Little Ball of Horrors´, The First Post, December 24th
Dawson, Jessica. `Reflecting on a Cultural Divide´, The Washington Post, October 6, p. C08
Kleiman, Molly. `People Sticking their Heads into Things´, NY Arts Magazine, Sept-Oct Vol. 10, No 9/10, p. 98
´Cold Case: Walter Martin & Paloma Muñoz´, The New York Sun, Jan 14-16, p. 14
`Walter Martin & Paloma Muñoz´, The New Yorker, Feb 7, p. 17
2004
Alarcon, Pedro. `Walter Martin & Paloma Muñoz´, La Fresa, Julio.
Camper, Fred. Critic’s Choice, `Walter Martin & Paloma Muñoz´, Chicago Reader,
February 20, p. 24.
Alvarez Enjuto, Jose Manuel. `Walter Martin & Paloma Muñoz´, Lapiz Magazine, Isuue 2003,
May-June, p. 91
G. Artner, Alan. `McElheny succumbs to Glass’ Seductiveness´, Chicago Tribune, Feb. 27, p. 25.
2003
McCormick, Carlo. “Elegy in White: Walter Martin & Paloma Muñoz”, Aperture, Winter Issue #173, pp. 18-31.
Jarque, Fietta. “Misteriosos Cuentos en la Nieve”, El Pais, Babelia, December 13, p. 26.
H. Pozuelo, Abel. “Walter Martin & Paloma Muñoz”, EL Mundo, November 20.
Kimmelman, Michael. “A Seasonal Migration of Cultural Scope”, The New York Times , August 8 , Page E29, reproduction.
Johnson, Ken. “Travelers: Walter Martin & Paloma Munoz”, The New York Times, Jan, 17, Art in Review, p. E 48
Johnson, Ken. “Travelers: Walter Martin & Paloma Muñoz”, The New York Times, Art Guide, Jan. 23, p. E49
Paredes, Tomas. “Walter Martin & Paloma Muñoz: Cuentos de Invierno”, EL Punto, February 3
2001
Crowder, Joan. “Different Strokes,” Santa Barbara New Press – Scene, Jan. 7, pp. 6.
Wilson, Rob. “Walter Martin & Paloma Muñoz”, Sculpture Magazine, Summer, pg 14.
Vogel, Carol. New York Times, March 2, p. E34
2000
Catalogue. Canal de Seducción, with text by Mon Montoya, Valladolid, Spain
1999
Art Brooklyn, The New Yorker, “Walter Martin & Paloma Muñoz”, Sept 27, pg 14
Catalogue. Espacio Caja de Burgos, Burgos, Spain
Laster, Paul. “Brooklyn Spice”, Artnet.com, October
1998
Barr, Tom. Review (Objectivity: International Objects of Subjectivity, Contemporary Art Center of Virginia) Sculpture, November.
Johnson, Ken. New York Times, Friday, March 6, p. E43.
Chambers, Christopher. “Picks,” NY Arts, March-April 1998, p. 35
Mayoral, Soledad. “Seis artistas retratan Nueva York”, in La Esfera, (September 3), p.6—7
1997
Annas, Teresa. “Worldly Visions,” The Virginian Pilot, December 13, p.13, E5.
Hanzal, Carla, Objectivity: Pursuing the Subjective, exhibition catalog reproductions, published by Contemporary Art Center of Virginia.
Faultline. Journal of Art and Literature, Volume V. reproductions, front p. 61, November.
Smith, Roberta. “Sculpture Adorns the Urban Terrain,” The New York Times, August 8, p. 23.
Le Millenium, no. 19, “In To - Out Of,” p. 4.
Gannett Newspapers, “Art Scene", p. 14C.
Raynor, Vivian. “From a Partnership of ‘Elements’ to a Show of Playfulness",  The New York Times, Feb. 23
Hudson Valley, “Chuckle, Chuckle,”  February
1996
Walter Martin & Paloma Muñoz, catalog essay by Dan Cameron. P·P·O·W, New York; Galería Moriarty, Madrid
Gear, Josephine. “Changing Places,” Review, November 1, p. 18
1995
El Punto, “Más participación extranajera, 75 galerías con oferta de nivel,” February 10-16, p. 18
Babelia (El País), “Poderoso caballero,” February 11, pp.6-7
El País, “La feria cierra con un aumento de ventas y publico,” February 15, p. 39
Diario, “La Feria de Arte Contemporáneo se clausuró con excelentes resultados de visitantes y de ventas,” February 15, p. 49
1994
Catalogue, ARCO 1994
Village Voice, “Choices,” October 27, p. 84
El Punto, “Paloma Muñoz & Walter Martin: Historias cortas de curas y terapias,”
October 23, p. 24
1993
Catalogue, Art/Functional Art, Turbulence, New York, NY.
Catalogue, Parameters: Walter Martin, The Chrysler Museum. Norfolk, VA.
McGreevy, Linda. “Irony and Melancholy Haunt Norfolk Native’s Newest Work,” July.
Van Horn, Virginia. “Martin masters sleight of hand in Chrysler exhibit,” The Virginian-Pilot and The Ledger-Star, August 22
Annas, Teresa. “Pianos, clocks inhabit artist’s surreal world,” The Virginian-Pilot and The Ledger-Star, July 17
1991
Levin, Kim, "Choices," The Village Voice, February 20.
Levin, Kim, "Choices," The Village Voice, August 13.
The New Yorker, Soho Galleries, October 21.
Nikkei Art, 1992/6, p. 195
1990
Woodard, Josef, "Space and Matter," The Independent, April 5, p. 30
Freeman, Phylis, review, New Art, p. 130-131
New Art, Harry N. Abrams, Inc., New York, NY, p. 130-131
ARCO '90, Ajoblanco, reproduction, March, p. 45, Spain
"Cajon de Sastre para visitantes de escultura," ABC, p. 128, Spain
1989
Porges, M.F., "The Shape of Reason," Shift, Number 2, San Francisco, CA, Spring
Stern, William, "Sculpture: Inside Outside," Cite, Summer, p. 20
Whitmore, Laura, "Outdoor Exhibition," Sculpture, May/June, p. 14
Sculpture: Inside Outside, essay by Carter Ratcliff, Walker Art Center, Minneapolis, MN; Rizzoli, NY; pp. 14, 44, 45, 166-173
Taylor, Paul, "Art Object Lessons," House and Garden Magazine, October, p. 68
1988
Levin, Kim, "Choices," The Village Voice, February 23, p. 40
Smith, Roberta, "An Array of Artists, Styles and Trends in Downtown Galleries," The New York Times, Friday, February 26, p. C48
Leigh, Christian, Review, Artforum, May, p. 144
Martin, Mary Abbe, "Strange Things Put on View at Walker Center," Star Tribune, Minneapolis, MN, Sunday, May 22
Maggi, Laura, "A New York, Una Galleria Minimalista," Casa Vogue, Italian, June, p. 138
Brenson, Michael, "Coming to Grips with Sculpture," New York Times, Sunday, June 19, p. 33,41
Martin, Mary Abbe, "Splendor in the Grass",  Artnews, October, p. 126-130
Raynor, Vivien, "Outdoor Sculpture With a Critical Note," The New York Times, Sunday, Oct. 30
McCormick, Carlo, Exhibition Catalogue, Collide-A-Scope: The divergent perspectives of contemporary art's many facets, Galleri OTSO, Norrkopings, Konstmuseum, Goteborgs Konsthall, Sundsvalls Museum, Sodertalje Konsthall
1987
Lathern, Alexia, Review of Exhibition at P·P·O·W, 108 An East Village Review, March/April
1986
Sichel, Andy. Review of Exhibition at P·P·O·W, DOWNTOWN, June 18, p.6-7A.
Panicelli, Ida. “Alice in Wonderland (Letter from New York),” NIKE New Art in Europe, July/August/September Issue, p. 75.
Cameron, Dan, Review of Exhibition at P·P·O·W, Flash Art, October/November Issue, p. 75
APPEARANCES, Number 13, Fall/Winter 1986-87, p. 22
1985
Shannon, Mark. Review of Exhibition at P·P·O·W, ARTS Magazine, February
1984
Raynor, Vivien. Review of Exhibition at P·P·O·W, The New York Times, Friday, November 30

Art Lectures and Public Speaking

Museum der Moderne Rupertinum, Salzburg, Austria
Institute for the Humanities, Ann Arbor, MI
MOCA, Virginia Beach, VA
Aperture Foundation, New York, NY.
Southern Illinois University Carbondale, Carbondale, IL. 
SUNY, New Paltz, NY. 
The Chrysler Museum, Norfolk, VA. 
School of Visual Arts, New York, NY.
Princeton University, Princeton, NJ. 
University of Memphis, Memphis, TN. 
Santa Barbara Contemporary Arts Forum, Santa Barbara, CA.
UCSB, Santa Barbara, CA.
Arkansas State University, Jonesboro, AK
Speaker Series, Sugar Maples Center for Creative Arts, Maplecrest, NY


Grants and Awards

2009  Artist Honoree, BRIC Contemporary Art, Brooklyn , NY

2007  Received a fellowship from the Pennsylvania Council on the Arts

1988   P.S.1 Studio Program, Long Island, NY


Collections

Museum der Moderne, Salzburg, Austria
Agnes Gund Collection, New York, NY
Albright-Knox Art Gallery, Buffalo, NY
ConocoPhillips, Houston, TX
NYU Langone, New York, NY
University of Arizona Museum of Art, Tucson, AZ
The Toledo Museum of Art, Toledo, Ohio
Walker Art Center for the Arts, Minneapolis, MN
Miami Museum of Art, Miami, FL
The Hunter Museum of American Art, TN
Museum of Art and Design, New York, NY
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
CAB Centro de Arte Caja de Burgos, Burgos, Spain
Centro de Arte Tomás y Valiente de Fuenlabrada, Madrid, Spain
Colección Testimonio, La Caixa, Barcelona, Spain
Aperture Foundation, New York, NY
Museo de la Universidad de Alicante, Spain
Prosegur, S.A., Spain
Ayuntamiento de Pamplona, Spain
Colección Norte,Gobierno de Cantabria, Spain
CAC Málaga, Spain
MTA Arts for Transit, New York, NY
MTA Metro Art, Los Angeles, CA
Adam Baumgold Gallery, New York, NY
Bloomberg L.P., New York, NY
21C Museum Foundation,  Louisville, KY
Progressive Insurance Corporation, Cincinnati, OH
Nerman Museum of Contemporary Art, Overland Park, KS
KIASMA Museum of Contemporary Art, Helsinki, Finland
Queensland Art Gallert | Gallery of Modern Art, Brisbane Queensland, Australia

And private collections in the USA and Europe