1953      Born in Norfolk, VA 1978      B.A. Old Dominium University, VA 1980      M.F.A. Virginia Commonwealth University
	One Person Exhibitions
	2009	"Walter Martin & Paloma Muñoz: Wayward Bound", John Michael Kohler Arts Center, Sheboygan, WI
	2008	"Buried 'till Spring", Galeria Isabel Hurley, Malaga, Spain "Objects and Photographs", Bentley Gallery, Scottsdale, AZ "Islands", P.P.O.W, New York, NY
	2007	"Photographs", Cerealart Project Room, Philadelphia, PA "Secrets Sleep In Winter Clothes", MAM Mario Mauroner Contemporary Art, Vienna, Austria "White Out", ARCO Projects,Madrid, Spain
	2005	"Cold Front", P.P.O.W Gallery, New York, NY
	2004	"The Frigid Zone", Mario Mauroner Contemporary Art Salzburg, Austria "Travelers", Museo de la Universidad de Alicante, Spain "Travelers", Rhona Hoffman Gallery, Chicago, IL
	2003	"Travelers", P·P·O·W, New York, NY "Travelers", Moriarty Gallery, Madrid, Spain
	2001	P·P·O·W, New York, NY
	2000	"Loss of Experience", Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
	1999	"Dis", Momenta, Brooklyn, New York Espacio Caja de Burgos, Burgos, Spain
	1998	P·P·O·W, New York, NY
	1997	Alejandro Sales Gallery, Barcelona, Spain
	1996	P·P·O·W, New York, NY Moriarty Gallery, Madrid, Spain
	1994	"A Cure for all Remedies and Other Short Stories", P·P·O·W, New York, NY
	1993	The Chrysler Museum, Norfolk, VA
	1992	P·P·O·W, New York, NY
	1991	"Drawings from the Patent Office", P·P·O·W, New York, NY
	1989	P·P·O·W, New York, NY
	1988	P·P·O·W, New York, NY
	1986	P·P·O·W, New York, NY
	1984	P·P·O·W, New York, NY
	Selected Group Exhibitions
	2010	"At the Edge: Subversive Ideas and New Forms", Portsmouth Museum of Fine Arts, Portsmouth, NH "Transparency and Trans-formations in Contemporary American Art", U.S. Residence Stockholm, Sweden "The Art of Caring: A Look at Life through Photography" Cincinnati Museum Center, Cincinnati, OH "SHOOT!", Imago Galleries, Palm Desert, CA "It's a Set-up", Museum of Contemporary Art Kiasma, Helsinki, Finland "At the Edge: Subversive Ideas and New Forms", Portsmouth Museum of Fine Art, NH
	2009	"We", Mario Mauroner Contemporary Art Salburg, Austria "Ultra Sonic", Mark Moore Gallery, Santa Monica, CA "New Now", Nerman Museum of Contemporary Art, Overland Park, KS "Playing Around", The Brattleboro Museum and Art Center, Brattleboro, VT "The Art of Caring", New Orleans Museum of Art, New Orleans, LS "The Garden at 4 P.M.", Gana Art, New York, NY "Efecte Souvenir", DHUB Montcada, Barcelona, Spain "The Beauty of the Mistake", LX Factory, Lisbon, Portugal "La Vida Privada", Colección de Josep Maria Civit, MUBAG, Alicante, Spain
	2008	"Cool!", George Adams Gallery, New York, NY "Caucus", Schroeder Romero Gallery, NY "La Vida Privada", Colección de Josep Maria Civit, CDAN, Fundación Beulas, Huesca, Spain "Artists Plates", Nohra Haime Gallery, New York Paris Photo, Aperture Foundation, New York
	2007	"Am Schlimmsten / Nicht im Sommer sterben", Nassauicher Kunstverein e.v.,Wiesbaden, Germany "Lost in the Woods", University of Arizona Museum of Art, Tucson, AZ
	2006	"Das Leben ein nicht endendes Fieber", Galerie Eugen Lendl, Graz, Austria "Little Disasters", Mauroner  RoomnumberOne, Vienna, Austria "Fête", Locks Gallery, Philadelphia, PA "Through the Rabbit Hole: Sleights of Scale and Flights of Fantasy", 21C Museum Foundation, Louisville, KY "Escenografías  Simuladas. Fondos de la Colección Caja de Burgos", Iglesia de Santa Eulalia dei Catalani , Palermo, Italy. Travels to Instituto Cervantes, Stockholm, Sweden. "Paradisio & Inferno", Mario Mauroner Contemporary Art, Salzburg , Austria "Double Take", Schroeder Romero Gallery, New York,NY “Sense of the Real”, Ars'06, Museum of Contemporary Art KIASMA, Helsinki, Findland "New Art, New York: Reflections on the Human Condition", Hangar 7-Red Bull Kunsthalle, Salzburg, Austria "An Assessment of Contemporary Figuration", David Klein Gallery, Birmingham, Michigan "Where Truth Lies", Anne Reed Gallery, Ketchum, ID "Foreign Affair", Albany Arts and Culture Program at the Albany International Airport, Albany, NY "From the Island of Misfit Toys", Ben Maltz Gallery, OTIS College of Art and Design, Los Angeles, CA Art Brussels, MAM Mario Mauroner Contemporary Art, Belgium CIGE, China International Gallery Exposition, Galeria Moriarty, Beijing, China
	2005	Art Cologne, MAM Mario Mauroner Contemporary Art, Cologne, Germany "The Empire of Sighs", Numark Gallery, Washington, DC "Summertime", Mario Mauroner Contemporary Art, Vienna, Austria "New Art, New York: Reflections on the Human Condition",Trierenberg Holding AG, Traun,  Austria "Memoria y Deseo", Fundacion Foto Colectania, Barcelona, Spain "In Focus: Contemporary Photography fromt the Allen G. Thomas Jr. Collection", North Carolina Museum of Art, Raleigh, NC "Presencias/ Ausencias", CAB, Burgos, Spain "Arts for Transit Along the Way", UBS Gallery, New York ARCO, Galeria Moriarty, Madrid, Spain “Foreign Affair”, The Center for Photography at Woodstock, NY "Rearranged/Redefined: Domestic Objects Reconsidered", Main Line Art Center, Haverford, PA
	2004	Le Drôit de Rève, Mario Mauroner Contemporary Art Salzburg, Austria ARCO, Galería Moriarty, Madrid, Spain The Art Show, PPOW Gallery, New York, NY Miami Art, PPOW Gallery, New York, NY Art Cologne, Galerie Academia, Salzburg, Austria
	2003	"MetroSpective at City Hall Park", Public Art Fund, New York, NY "Multiple", Nassau Museum of Contemporary Art, Long Island, NY "Decade", Schroeder-Romero Gallery, Brooklyn, NY "Hot Summer in New York", Sean Kelly Gallery, New York, NY Miami Art, PPOW Gallery, New York, NY "White", Bill Maynes Gallery, New York, NY
	2001	"Animas!", The Rotunda Gallery, Brooklyn, NY "Mimic", GaleGates Gallery, Brooklyn, NY
	2000	"Canal de Seduccion", Valladolid, Spain "Fantasies and Curiosities", The Art Museum, Florida International University, Miami, FL "Plastic Monuments", Centro Municipal de Exposiciones Subte, Montevideo, Uruguay. "Snapshot", Comtemporary Museum, Baltimore, MD.
	1999	"True West", P·P·O·W, New York, NY
	1998	"De Imagenes y Soportes", Palacio Revillagijedo, Gijon, Spain "Rights of Spring", P·P·O·W, New York, NY "Seeing Money", The Rotunda Gallery, Brooklyn, NY
	1997	"Objectivity: International Objects of Subjectivity", Contemporary Art Center of Virginia, Virginia Beach, VA "No Small Feat: Investigations of the Shoe in Contemporary Art", Rhona Hoffman Gallery, Chicago, IL "Wit, Whimsy & Humor", curated by Mary Close, Castle Gallery, College of New Rochelle, New Rochelle, NY "The Chalkboard Chronicles", TZ Art & Co., NY
	1996	"Domestic Partnerships", Art in General, New York, NY "Group Hanging", Griffin Linton Gallery, Venice, CA "Homebodies, La Salle Partners at Nations Bank Plaza, Charlotte, NC "The Subverted Object", Ubu Gallery, New York, NY "Changing Places", Metro Tech Center, The Public Art Fund, Brooklyn, NY "Restos Humanos", Alejandro Sales Gallery, Barcelona, Spain
	1995	"Revisiting the Landscape", California Center for the Arts, Escondido, CA "(Unpainted to the Last): Moby Dick in American Art 1940-1990", The Spencer Museum of Art, University of Kansas, Lawrence, KS USA in Arco, curated by Kevin Consey, Arco, Madrid, Spain
	1994	"Body Human", Nohra Haime Gallery, New York, NY "Trajectories", The Spanish Institute, New York, NY "Woodworks", Adam Baumgold Fine Art, New York, NY "The Arabesque", P·P·O·W, New York, NY
	1993	"Art/Functional Art", Turbulence, New York, NY
	1991	"Dead Heroes, Disfigured Love", curated by Christopher Sweet, Lorence Monk Gallery, New York, NY
	1990	"Writ in Water", Solo Press/Solo Gallery, New York, NY Crown Press, New York, NY
	1989	Gothenburg Art Gallery, Sweden Sundsvalls Museum, Sweden Sodertalje, Sweden Studio Exhibition, P.S. 1 Museum, Long Island City, NY
	1988	"Sculpture Inside Outside", Walker Art Center, Minneapolis, MN (Winter 1989, show travels to Museum of Fine Arts, Houston, TX) Esbo Museum of Art, Helsinki, Finland Norrkoping Museum of Art, Sweden "Desire Paths", The Schulman Sculpture Garden, White Plains, New York
	1986	"Four Sculptors", P·P·O·W, New York, NY
	1985	"57th Between A & D", Holly Solomon Gallery, New York, NY "East Village at the Centre", Saidye Bronfman Centre, Montreal, Canada, curated by Katya Arnold "Sculpture, Objects & Related Drawings", Art Palace, New York, NY "Out of Context", Piccadilly Gallery, catalogue, London, England New Work, P·P·O·W, New York, NY "A Brave New World, A New Generation", Udstillingsbygning ved Charlottenborg, Copenhagen, curated by Thomas Solomon; traveled to Lunds Konsthall, Sweden, (Catalog)
	1984	"Summer Group Exhibition", P·P·O·W, New York, NY "Behind The Stacks: 4th Annual Artists Books", Kathryn Markel Gallery, New York, NY
	Outdoor Sculptures and Installations
	2005	"Travelers", Wilshire/Normandie Metro Rail Station, MTA Metro Art, Los Angeles, CA.
	2003	"MetroSpective at City Hall Park", City Hall Park, New York, Public Art Fund, NY.
	2002-03	"Travelers", Grand Central Terminal, MTA Arts for Transit, NY.
	2001	"Forbidden Door", Bloomberg LP, Public Art Fund, NY
	1997-2000	"A Gathering", MTA’s Arts for Transit Program, Canal Street Station on the A and the C Lines, New York, NY
	1998	"Forest", Metro Tech Center, Public Art Fund, Brooklyn, NY
	1996	"Changing Places", Metro Tech Center, Public Art Fund, Brooklyn, NY
	1988	"911", The Schulman Sculpture Garden, White Plains, NY
	Selected Bibliography
	2010	Gray Stites, Alice. "What is Now, What is next: Transparency and Trans-formations in Contemporary American Art", Catalogue Essay Transparency, U.S. Embassy Stockholm, Sweden.
	2009	Olaussen, Hege. "Snøkuler som samtidskunst", Kunst Og Kultur, Nr. 4/ 2009 Årg. 92 p.p.230-239 Clark, Tim. "Walter Martin & Paloma Muñoz", 1000 Words Photography, Fall 2009 #06 Rice, Robin. "Encasement", Glass Quarterly, Winter Issue 113, pg
	2008	Dambert, Samuel & Guiguet, Anne-Sophie, "Nuit Blanche", Citizen K International, p.p. 140-141 Harrod, Horatia. "All Shook Up", The Sunday Telegraph, November 16th, pg 26-27 Lethem, Jonathan. "Travelers", artists' monograph, Aperture , 96 pages, 40 full color plates. Clark, Tim. "Travelers", Next Level magazine, Issue 14, p.p. 14-21 McGee, Celia. "Aesthetic Heft, Sized for a Snow Globe", The New York Times, Arts & Leisure, January 6th, pg.19 Ganis, William B. "Walter Martin & Paloma Muñoz. Islands", Glass Quarterly, June, pg.77 Yablonski, Linda. "Walter Martin & Paloma Muñoz. Islands", Catalogue Essay, "Islands", PPOW Gallery, New York
	2007	D'Acosta, Sema. "Blanco y Negro (Petroleo y Nieve)", La Fresa.org, March Alemany, Luis. "El Arte en la era del calentamiento global", El Mundo, Feb. 17 Vidal Olivera, Jaume. "Walter Martin & Paloma Muñoz", El Mundo, Feb. 21 Nunez-Fernandez, Lupe. "Martin & Muñoz at the Nassauicher Kunstverein, Wiesbaden", saatchi-gallery.co.uk, March
	2006	O'Neal, Lauren. "Report from Helsinki", Art New England, October/November Somerstein, Rachel. "The Weather Inside is Frightful", Artnews, Oct. p.p. 122-125 French, Christopher. "Ars'06: Sense of the Real", Art Papers, Sep-Oct, p. 48-49. Lange, Christy."Ars'06", Frieze, Summer Issue, p. 278 Simon, Amy. "Ars 06", Artforum, April, p.290 Herzog, Samuel. "Hüsteln im Paradies", Neue Zürcher Zeitung, March 7th, Nr.55, p. 37 Hirvonen, Ari. "Encounters on Emerging Boundary Spaces", Cataloge from "Sense of the Real" Ars 06, Museum of Contemporary Art KIASMA, Helsinki, p.p. 39-45 Olmo, Santiago B. "Winter Journey", Cataloge from "Sense of the Real" Ars 06, Museum of Contemporary Art KIASMA, Helsinki, p.p. 160-163 Hannele, Jäämeri. "Lähde tunteisiin", Suomen Kuvalehti, January, p.3, 46-47
	2005	Hake, Elaine. "Little Ball of Horrors", The First Post, December 24th Dawson, Jessica. "Reflecting on a Cultural Divide", The Washington Post, October 6, p. C08 Kleiman, Molly. "People Sticking their Heads into Things", NY Arts Magazine, Sept-Oct Vol. 10, No 9/10 "Cold Case: Walter Martin & Paloma Muñoz", The New York Sun, Jan 14-16, p. 14 “Walter Martin & Paloma Muñoz”, The New Yorker, Feb 7, p. 17
	2004	Alarcon, Pedro. “Walter Martin & Paloma Muñoz”, La Fresa, Julio. Camper, Fred. Critic’s Choice, “Walter Martin & Paloma Muñoz”, Chicago Reader, February 20, p. 24. Alvarez Enjuto, Jose Manuel. “Walter Martin & Paloma Muñoz”, Lapiz, Isuue 2003, May-June, p.91. G. Artner, Alan. “McElheny succumbs to Glass’ Seductiveness”, Chicago Tribune, February 27, p. 25. B. Olmo, Santiago. “Viaje de Invierno”, Catalogo MUA, Alicante
	2003	McCormick, Carlo. “Elegy in White: Walter Martin & Paloma Muñoz”, Aperture, Winter Issue #173, pp. 18-31. Jarque, Fietta. “Misteriosos Cuentos en la Nieve”, El Pais, Babelia, December 13, p. 26. H. Pozuelo, Abel. “Walter Martin & Paloma Muñoz”, EL Mundo, November 20. Kimmelman, Michael. “A Seasonal Migration of Cultural Scope”, The New York Times , August 8th , Page E29, reproduction. Johnson, Ken. “Travelers: Walter Martin & Paloma Munoz”, The New York Times, Jan, 17th, Art in Review, page E 48 Johnson, Ken. “Travelers: Walter Martin & Paloma Muñoz”, The New York Times, Art Guide, January 23, p. E49 Paredes, Tomas. “Walter Martin & Paloma Munoz: Cuentos de Invierno”, EL Punto, February 3
	2001	Crowder, Joan. “Different Strokes,” Santa Barbara New Press – Scene, Jan. 7, pp. 6. Wilson, Rob. “Walter Martín & Paloma Muñoz”, Sculpture Magazine, Summer, pg 14. Vogel, Carol. New York Times, March 2, p. E34
	2000	Catalogue. Canal de Seducción, with text by Mon Montoya, Valladolid, Spain
	1999	Art Brooklyn, The New Yorker, “Walter Martin & Paloma Muñoz”, Sept 27, pg 14 Catalogue. Espacio Caja de Burgos, Burgos, Spain Laster, Paul. “Brooklyn Spice”, Artnet.com, October
	1998	Barr, Tom. Review (Objectivity: International Objects of Subjectivity, Contemporary Art Center of Virginia) Sculpture, November. Johnson, Ken. New York Times, Friday, March 6, p. E43. Chambers, Christopher. “Picks,” NY Arts, March-April 1998, p. 35
	1997	Annas, Teresa. “Worldly Visions,” The Virginian Pilot, December 13, p.13, E5. Hanzal, Carla, Objectivity: Pursuing the Subjective, exhibition catalogue reproductions, published by Contemporary Art Center of Virginia. Faultline. Journal of Art and Literature, Volume V. reproductions, front p. 61, November. Smith, Roberta. “Sculpture Adorns the Urban Terrain,” The New York Times, August 8, p. 23. Le Millenium, no. 19, “In To - Out Of,” p. 4. Gannett Newspapers, “Art Scene", p. 14C. Raynor, Vivian. “From a Partnership of ‘Elements’ to a Show of Playfulness",  The New York Times. Hudson Valley, “Chuckle, Chuckle,”  February
	1996	Catalogue. Walter Martin & Paloma Muñoz, with essay by Dan Cameron. P·P·O·W, New York; Galería Moriarty, Madrid. Gear, Josephine. “Changing Places,” Review, November 1, p. 18
	1995	El Punto, “Más participación extranajera, 75 galerías con oferta de nivel,” February 10-16, p. 18 Babelia (El País), “Poderoso caballero,” February 11, pp.6-7 El País, “La feria cierra con un aumento de ventas y publico,” February 15, p. 39 Diario, “La Feria de Arte Contemporáneo se clausuró con excelentes resultados de visitantes y de ventas,” February 15, p. 49
	1994	Catalogue, ARCO 1994 Village Voice, “Choices,” October 27, p. 84 El Punto, “Paloma Muñoz & Walter Martin: Historias cortas de curas y terapias,” October 23, p. 24
	1993	Catalogue, Art/Functional Art, Turbulence, New York, NY. Catalogue, Parameters: Walter Martin, The Chrysler Museum. Norfolk, VA. McGreevy, Linda. “Irony and Melancholy Haunt Norfolk Native’s Newest Work,” July. Van Horn, Virginia. “Martin masters sleight of hand in Chrysler exhibit,” The Virginian-Pilot and The Ledger-Star, August 22 Annas, Teresa. “Pianos, clocks inhabit artist’s surreal world,” The Virginian-Pilot and The Ledger-Star, July 17
	1991	Levin, Kim, "Choices," The Village Voice, February 20. Levin, Kim, "Choices," The Village Voice, August 13. The New Yorker, Soho Galleries, October 21. Nikkei Art, 1992/6, p. 195
	1990	Woodard, Josef, "Space and Matter," The Independent, April 5, p. 30 Freeman, Phylis, review, New Art, p. 130-131 New Art, Harry N. Abrams, Inc., New York, NY, p. 130-131 ARCO '90, Ajoblanco, reproduction, March, p. 45, Spain "Cajon de Sastre para visitantes de escultura," ABC, p. 128, Spain
	1989	Porges, M.F., "The Shape of Reason," Shift, Number 2, San Francisco, CA, Spring Stern, William, "Sculpture: Inside Outside," Cite, Summer, p. 20 Whitmore, Laura, "Outdoor Exhibition," Sculpture, May/June, p. 14 Sculpture: Inside Outside, essay by Carter Ratcliff, Walker Art Center, Minneapolis, MN; Rizzoli, NY; pp. 14, 44, 45, 166-173 Taylor, Paul, "Art Object Lessons," House and Garden Magazine, October, p. 68
	1988	Levin, Kim, "Choices," The Village Voice, February 23, p. 40 Smith, Roberta, "An Array of Artists, Styles and Trends in Downtown Galleries," The New York Times, Friday, February 26, p. C48 Leigh, Christian, Review, Artforum, May, p. 144 Martin, Mary Abbe, "Strange Things Put on View at Walker Center," Star Tribune, Minneapolis, MN, Sunday, May 22 Maggi, Laura, "A New York, Una Galleria Minimalista," Casa Vogue, Italian, June, p. 138 Brenson, Michael, "Coming to Grips with Sculpture," New York Times, Sunday, June 19, p. 33,41 Martin, Mary Abbe, "Splendor in the Grass",  Artnews, October, p. 126-130 Raynor, Vivien, "Outdoor Sculpture With a Critical Note," The New York Times, Sunday, October 30 McCormick, Carlo, Exhibition Catalogue, Collide-A-Scope: The divergent perspectives of contemporary art's many facets, Galleri OTSO, Norrkopings, Konstmuseum, Goteborgs Konsthall, Sundsvalls Museum, Sodertalje Konsthall
	1987	Lathern, Alexia, Review of Exhibition at P·P·O·W, 108 An East Village Review, March/April
	1986	Sichel, Andy. Review of Exhibition at P·P·O·W, DOWNTOWN, June 18, p.6-7A. Panicelli, Ida. “Alice in Wonderland (Letter from New York),” NIKE New Art in Europe, July/August/September Issue, p. 75. Cameron, Dan, Review of Exhibition at P·P·O·W, Flash Art, October/November Issue, p. 75 APPEARANCES, Number 13, Fall/Winter 1986-87, p. 22
	1985	Shannon, Mark. Review of Exhibition at P·P·O·W, ARTS Magazine, February
	1984	Raynor, Vivien. Review of Exhibition at P·P·O·W, The New York Times, Friday, November 30
	Lectures	Aperture Foundation, New York, NY. Southern Illinois University Carbondale, Carbondale, IL.  SUNY, New Paltz, NY.  The Chrysler Museum, Norfolk, VA.  School of Visual Arts, New York, NY. Princeton University, Princeton, NJ.  University of Memphis, Memphis, TN.  Santa Barbara Contemporary Arts Forum, Santa Barbara, CA. UCSB, Santa Barbara, CA. Arkansas State University, Jonesboro, AK
	Grants and Awards 2007                Received a fellowship from the Pennsylvania Council on the Arts 1988                P.S.1 Studio Program, Long Island, NY Collections University of Arizona Museum of Art, Tucson, AZ The Toledo Museum of Art, Toledo, Ohio Walker Art Center for the Arts, Minneapolis, MN Miami Museum of Art, Miami, FL The Hunter Museum of American Art, TN Museum of Art and Design, New York, NY Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain CAB Centro de Arte Caja de Burgos, Burgos, Spain Colección Testimonio, La Caixa, Barcelona, Spain Aperture Foundation, New York, NY Museo de la Universidad de Alicante, Spain Prosegur, S.A., Spain Ayuntamiento de Pamplona, Spain Colección Norte,Gobierno de Cantabria, Spain CAC Málaga, Spain MTA Arts for Transit, New York, NY MTA Metro Art, Los Angeles, CA Adam Baumgold Gallery, New York, NY Bloomberg L.P., New York, NY 21C Museum Foundation,  Louisville, KY Progressive Insurance Corporation, Cincinnati, OH Nerman Museum of Contemporary Art, Overland Park, KS KIASMA Museum of Contemporary Art, Helsinki, Finland And private collections in the USA and Europe.