Martin & Paloma Muñoz Main Page

1953      Born in Norfolk, VA
1978      B.A. Old Dominium University, VA
1980      M.F.A. Virginia Commonwealth University

One Person Exhibitions

2015 Cross Pollination, Institute of Fine Arts NYU, New York, NY

Night Falls, P·P·O·W, New York, NY (Video of the exhibition)
Walter Martin & Paloma Muñoz, MOCA, Virginia Beach, VA

2011 White Nights, University of Michigan Institute for the Humanities, Ann Arbour, MI

2010 Travelers, Shinsegae Gallery, Seoul, South Korea

Walter Martin & Paloma Muñoz: Wayward Bound, John Michael Kohler Arts Center, Sheboygan, WI

Buried 'till Spring, Galeria Isabel Hurley, Malaga, Spain
Objects and Photographs, Bentley Gallery, Scottsdale, AZ
Islands, P.P.O.W, New York, NY

Secrets Sleep In Winter Clothes, MAM Mario Mauroner Contemporary Art, Vienna, Austria
White Out
, ARCO Projects,Madrid, Spain
Photographs, Cerealart Project Room, Philadelphia, PA

2005 Cold Front, P.P.O.W Gallery, New York, NY


The Frigid Zone, Mario Mauroner Contemporary Art Salzburg, Austria
Travelers, Museo de la Universidad de Alicante, Spain
Travelers, Rhona Hoffman Gallery, Chicago, IL


Travelers, P·P·O·W, New York, NY
Travelers, Moriarty Gallery, Madrid, Spain

2001 P·P·O·W, New York, NY

2000 Loss of Experience, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA

1999 Dis, Momenta, Brooklyn, New York
Martin & Muñoz, Espacio Caja de Burgos, Burgos, Spain

1998 P·P·O·W, New York, NY

1997 Alejandro Sales Gallery, Barcelona, Spain

1996 P·P·O·W, New York, NY
Moriarty Gallery, Madrid, Spain

1994 A Cure for all Remedies and Other Short Stories, P·P·O·W, New York, NY

1993 The Chrysler Museum, Norfolk, VA

1992 P·P·O·W, New York, NY

1991 Drawings from the Patent Office, P·P·O·W, New York, NY

1989 P·P·O·W, New York, NY

1988 P·P·O·W, New York, NY

1986 P·P·O·W, New York, NY

P·P·O·W, New York, NY

Group Exhibitions

Off the Page, Curated by Tiffany Fairall, Mesa Art Center Museum, Mesa, AZ
°: The Art of Winter, Curated by Carolyn Bauer, Shelburne Museum, Shelburne, VT
Mirror Mirrored: Art Meets the Monsters
, Washington Project for the Arts, Washington, DC
curated by Michelle Aldrege and Corwin Levi, travels to Sharon Arts Center, Peterborough, NH

2015 Made to Capture, Curated by Kristen Accola, Hunterdon Art Museum, Clinton, NJ

2014 Disturbing Innocence, Curated by Eric Fischl, The FLAG Art Foundation, New York, NY
Smoke and Mirors III - The Magic of Photography, Gilman Contemporary, Ketchum, ID
It's a Small World, Galerie d'art du Conseil général des Bouches-du-Rhône Cours Mirabeau, Aix-en-Provence, France

2013 Shattered, Frederik Meijer Gardens and Sculpture Park, Grand Rapids, MI
Playtime, Colección de Arte Conteporáneo La Naval III, Museo Nacional de Arqueología Subacuática, Cartagena, Spain
Changes of Scenery, Island Phantasies, Museum Kunst der Westküste, Föhr, Germany
Nunca Jamás, Fundación Valentín de Madariaga, Sevilla, Spain
Grand Central Centennial Celebration, New York Transit Museum Gallery Annex, New York, NY
AIPAD, Park Avenue Armory, PPOW Gallery, New York, NY

2012 Fairy Tales, Monsters, and the Genetic Imagination, Frist Center for the Visual Arts, Nashville, TN
travels to the Winnipeg Art Gallery, Manitoba and the Glenbow Art Museum, Calgary, Canada.
FUSION: A New Century of Glass, Oklahoma City Museum of Art, Oklahoma City, OH
Minimal, Hå gamle prestegard, Hå kommune, Norway
Happily Ever After?, Sun Valley Center for the Arts, Sun Valley, ID
Otherwordly, Lille 3000, Lille, France
Behind the Portrait, Tatiana Kourochkina Contemporary Art Project, Barcelona, Spain
Uncommon Ground, Forum Gallery, New York, NY

2011 Peace on Earth: Art Against War, Forum Gallery, New York, NY
Otherworldly, curated by David Revere McFadden, Museum of Arts and Design, NY
Travelers: Objects of Dream and Revelation, Bellevue Arts Museum, Bellevue, WA
The Art of Caring: A Look at Life through Photography, MOA Fort Lauderdale, FL travels to
The Art Museum of South Texas, Corpus Christi, TX

2010 At the Edge: Subversive Ideas and New Forms, Portsmouth Museum Art, NH
Transparency and Trans-formations in Contemporary American Art, US Residence Stockholm, Sweden
The Art of Caring: A Look at Life through Photography, Cincinnati Museum Center, Cincinnati, OH
SHOOT!, Imago Galleries, Palm Desert, CA
It's a Set-up, Museum of Contemporary Art Kiasma, Helsinki, Finland

We, Mario Mauroner Contemporary Art Salzburg, Austria
Ultra Sonic,
Mark Moore Gallery, Santa Monica, CA
New Now, Nerman Museum of Contemporary Art, Overland Park, KS
Playing Around, The Brattleboro Museum and Art Center, Brattleboro, VT
The Art of Caring, New Orleans Museum of Art, New Orleans, LS
The Garden at 4 P.M., Gana Art, New York, NY
Efecte Souvenir, DHUB Montcada, Barcelona, Spain
The Beauty of the Mistake, LX Factory, Lisbon, Portugal
La Vida Privada, Colección de Josep Maria Civit, MUBAG, Alicante, Spain
Herron School of Art and Design, Indiana University, Indianapolis, IN

Cool!, George Adams Gallery, New York, NY
Caucus, Schroeder Romero Gallery, New York, NY
Artists Plates, Nohra Haime Gallery, New York
La Vida Privada, Colección de Josep Maria Civit, CDAN, Fundación Beulas, Huesca, Spain
Paris Photo, Aperture Foundation, New York
Art Chicago Contemporary Art Fair, P.P.O.W., Chicago, IL

Am Schlimmsten / Nicht im Sommer sterben, Nassauicher Kunstverein e.v.,Wiesbaden, Germany
Lost in the Woods, University of Arizona Museum of Art, Tucson, AZ
PULSE Art Fair, Soho Studios, Miami, FL
ARCO Art Fair, P.P.O.W., Madrid, Spain
Korea International Art Fair, Galería Moriarty, Spain
Art Chicago, P.P.O.W., Chicago, IL
Colección Norte, Casa de las Aguilas, Santillana del Mar, Cantabria, Spain

2006 PULSE Art Fair, P.P.O.W. Miami, FL
NADA Art Fair, CEREALART, Miami Beach, FL
Au Courant, Bentley Projects, Phoenix, AZ
Das Leben ein nicht endendes Fieber, Galerie Eugene Lendl, Graz, Austria
Little Disasters, Mauroner, RoomnumberOne, Vienna, Austria
Fête, Locks Gallery, Philadelphia, PA
Through the Rabbit Hole: Sleights of Scale and Flights of Fantasy, 21C Museum Hotel, Louisville, KY
Escenografías Simuladas. Fondos de la Colección Caja de Burgos,
Iglesia de Santa Eulalia dei Catalani, Palermo, Italy. Travels to Instituto Cervantes, Stockholm, Sweden
Paradisio & Inferno, Mario Mauroner Contemporary Art, Salzburg, Austria
Doubletake, Schroeder Romero, New York, NY
Ars 06, Sense of the Real, Museum of Contemporary Art KIASMA, Helsinki, Finland
New Art, New York: Reflections on the Human Condition, Hangar 7-Red Bull Kunsthalle, Salzburg, Austria
Where Truth Lies, Anne Reed Gallery, Ketchum, ID
Foreign Affair, Albany Arts and Culture Program at the Albany International Airport, Albany, NY
From the Island of Misfit Toys, Ben Maltz Gallery, OTIS College of Art and Design, Los Angeles, CA
An Assesment of Contemporay Figuration, David Klein Gallery, Birmingham, MI
Art Brussels, MAM Mario Mauroner Contemporary Art, Belgium
CIGE, China International Gallery Exposition, Galeria Moriarty, Beijing, China

2005 Art Cologne, Mario Mauroner Contemporary Art, Cologne, Germany
The Empire of Sighs, Numark Gallery, Washington, DC
Summertime, Mario Mauroner Contemporary Art, Vienna, Austria
New Art, New York: Reflections on the Human Condition,Trierenberg Holding AG, Traun,  Austria
Memoria y Deseo, Fundación Foto Colectania, Barcelona, Spain
In Focus: Contemporary Photography from the Allen G. Thomas Jr. Collection, North Carolina Museum of Art, Raleigh, NC
Presencias/ Ausencias La Colección, CAB, Burgos, Spain
Arts for Transit Along the Way, UBS Gallery, New York
ARCO, Galeria Moriarty, Madrid, Spain
Foreign Affair, The Center for Photography at Woodstock, NY
Rearranged/Redefined: Domestic Objects Reconsidered, Main Line Art Center, Haverford, PA
Paradisio e Inferno, MAM, Mario Mauroner
Arte Fiera, Mauro Mauroner Gallery, Bologne, Italy
Art Brussels, MAM Mario Mauroner Gllery, Brussels, Belgium

2004 Le Drôit de Rève, Mario Mauroner Contemporary Art Salzburg, Austria
ARCO, Galería Moriarty, Madrid, Spain
The Art Show, PPOW Gallery, New York, NY
Miami Art, PPOW Gallery, New York, NY
Art Cologne, Galerie Academia, Salzburg, Austria

2003 MetroSpective at City Hall Park, Public Art Fund, New York, NY
Multiple, Nassau Museum of Contemporary Art, Long Island, NY
Decade, Schroeder-Romero Gallery, Brooklyn, NY
Hot Summer in New York, Sean Kelly Gallery, New York, NY
Miami Art, PPOW Gallery, New York, NY
White, Bill Maynes Gallery, New York, NY

2001 Animas!, The Rotunda Gallery, Brooklyn, NY
Mimic, GaleGates Gallery, Brooklyn, NY

2000 Canal de Seducción, Valladolid, Spain
Fantasies and Curiosities, The Art Museum, Florida International University, Miami, FL
Plastic Monuments, Centro Municipal de Exposiciones Subte, Montevideo, Uruguay
Snapshot, Comtemporary Museum, Baltimore, MD

1999 True West, P·P·O·W, New York, NY

1998 De Imagenes y Soportes, Palacio Revillagijedo, Gijon, Spain
Rights of Spring, P·P·O·W, New York, NY
Seeing Money,
The Rotunda Gallery, Brooklyn, NY

1997 Objectivity: International Objects of Subjectivity, Contemporary Art Center of VA, Virginia Beach, VA
No Small Feat: Investigations of the Shoe in Contemporary Art, Rhona Hoffman Gallery, Chicago, IL
Wit, Whimsy & Humor, curated by Mary Close, Castle Gallery, College of New Rochelle,
New Rochelle, NY
The Chalkboard Chronicles, TZ Art & Co., NY

1996 Domestic Partnerships, Art in General, New York, NY
Group Hanging, Griffin Linton Gallery, Venice, CA
Homebodies, La Salle Partners at Nations Bank Plaza, Charlotte, NC
The Subverted Object, Ubu Gallery, New York, NY
Changing Places, Metro Tech Center, The Public Art Fund, Brooklyn, NY
"Restos Humanos, Alejandro Sales Gallery, Barcelona, Spain

1995 Revisiting the Landscape, California Center for the Arts, Escondido, CA
(Unpainted to the Last): Moby Dick in American Art 1940-1990, The Spencer Museum of Art, University of Kansas, Lawrence, KS
USA in Arco, curated by Kevin Consey, Arco, Madrid, Spain

1994 Body Human, Nohra Haime Gallery, New York, NY
Trajectories, The Spanish Institute, New York, NY
Woodworks, Adam Baumgold Fine Art, New York, NY
The Arabesque, P·P·O·W, New York, NY

1993 Art/Functional Art, Turbulence, New York, NY

1991 Dead Heroes, Disfigured Love, curated by Christopher Sweet, Lorence Monk Gallery, New York, NY

1990 Writ in Water, Solo Press/Solo Gallery, New York, NY
Crown Press, New York, NY

1989 Gothenburg Art Gallery, Sweden
Sundsvalls Museum, Sweden
Sodertalje, Sweden
Studio Exhibition, P.S. 1 Museum, Long Island City, NY

1988 Sculpture Inside Outside, Walker Art Center, Minneapolis, MN (Winter 1989, show travels to Museum of Fine Arts, Houston, TX)
Esbo Museum of Art, Helsinki, Finland
Norrkoping Museum of Art, Sweden
Desire Paths, The Schulman Sculpture Garden, White Plains, New York

1986 Four Sculptors, P·P·O·W, New York, NY

1985 57th Between A & D, Holly Solomon Gallery, New York, NY
East Village at the Centre, Saidye Bronfman Centre, Montreal, Canada, curated by Katya Arnold
Sculpture, Objects & Related Drawings, Art Palace, New York, NY
Out of Context, Piccadilly Gallery, catalogue, London, England
New Work, P·P·O·W, New York, NY
A Brave New World, A New Generation, Udstillingsbygning ved Charlottenborg, Copenhagen, curated by Thomas Solomon; traveled to Lunds Konsthall, Sweden, (Catalog)

1984 Summer Group Exhibition, P·P·O·W, New York, NY
Behind The Stacks: 4th Annual Artists Books, Kathryn Markel Gallery, New York, NY

Outdoor Sculptures and Installations

2013 Snow Day, PS133, Brooklyn, NY

2012 Starting To Sea, Johns Hopkins Hospital, Baltimore, MD

2005 Travelers, Wilshire/Normandie Metro Rail Station, MTA Metro Art, Los Angeles, CA

2003 MetroSpective at City Hall Park, City Hall Park, New York, Public Art Fund, NY

2002-03 Travelers, Grand Central Terminal, MTA Arts for Transit, NY

2001 Forbidden Door, Bloomberg LP, Public Art Fund, NY

1997-2000 A Gathering, MTA’s Arts for Transit Program, Canal St. Station A, C and E  Lines, New York, NY

1998 Forest, Metro Tech Center, Public Art Fund, Brooklyn, NY

1996 Changing Places, Metro Tech Center, Public Art Fund, Brooklyn, NY

1988 911, The Schulman Sculpture Garden, White Plains, NY

Selected Bibliography

Freeman A. Lindsey. "Catastrophic Snowglobes as Oneiric and Mnemonic Gadgets", Space and Culture,, January

"Walter Martin & Paloma Muñoz", Interview by Anne & Julien, Hey! Magazine, France, pp. 174-75

2015 A. Banner, Lisa. Cross-pollination, Walter Martin & Paloma Muñoz,  Display Cases at NYU

ABFLY Magazine, "Mondi Di Neve. Sogni Vision de Martin e Munoz", pp. 50-52, December

"Walter Martin & Paloma Muñoz", The Chattahochee Review, Migration Issue, Fall and Winter
pp. 14-148

2014 Fischl, Eric.  "Disturbing Innocence", exhibition catalogue, pg. 24

Bloodworth, Sandra and Ayres, William. "New York's Underground Museum" MTA Arts & Design, The Monacelli Press, pgs. 74 -75

"Walter Martin & Paloma Muñoz: Dedicated Diggers", Interview by Fanny Montgomery,
Musee Magazine,  pgs. 144-151, Spring Issue

2013 Westbrook, Mary. "Martin & Muñoz", Distinction Magazine with photographs by Deborah Feingold, May 12th.

Daudy, Hélène. L'Art de L'Ailleurs, Edition Palette,  France ISBN: 978-2-35832-131-0, p.p. 69-70

2012 "Fairy Tales, Monsters and the Genetic Imagination", Edited by Marc Scala, Paperback, Frist Center for the Visual Arts

Zipes, Jack. "The Irresistible Fairy Tale. The Cultural and Social History of a Genre", Princeton University Press. pg.153

Annas, Teresa. "Snow globes get a shake-up at Virginia MOCA", The Virginian Pilot and cover of Pulse magazine, December 20th

Murphy, Kate. “The World Through a Flurry of Snow”, The New York Times, FashionStyle, Dec. 19

2011 Herman, Jane.  Come and Get It!, Interview, NY Times T Magazine, December 2nd, 2011

Upchurch, Michael. "BAM's 'Travelers': postcards from the Edge", Seattle Times, Sep. 15

Dykstra, Jean.  "Walter Martin and Paloma Muñoz: Night Falls, at P.P.O.W February 20, 2011

Gemmell, Grace-Yvette. "Walter Martin & Paloma Muñoz", Capital NY, February, 2012

McFadden, Revere David. "Seeing and Knowing", catalog from Otherwordly: Optical Delusions and Small Realities, pp. 8-31 New York: Museum of Art and Design

2010 Gray Stites, Alice. "What is Now, What is next: Transparency and Trans-formations in Contemporary American Art", Catalogue Essay Transparency, U.S. Embassy Stockholm, Sweden.

2009 Olaussen, Hege. "Snøkuler som samtidskunst", Kunst Og Kultur, Nr. 4/ 2009 Årg. 92 p.p.230-239

Clark, Tim. "Walter Martin & Paloma Muñoz", 1000 Words Photography, Fall 2009 #06

Rice, Robin. "Encasement", Glass Quarterly, Winter Issue 113, pg

Dambert, Samuel & Guiguet, Anne-Sophie, "Nuit Blanche", Citizen K International, p.p. 140-141

Harrod, Horatia. "All Shook Up", The Sunday Telegraph, November 16th, pg 26-27

Lethem, Jonathan. "Travelers", artists' monograph, Aperture , 96 pages, 40 full color plates.

Clark, Tim. "Travelers", Next Level magazine, Issue 14, p.p. 14-21

McGee, Celia. "Aesthetic Heft, Sized for a Snow Globe", The New York Times, Arts & Leisure, January 6th, pg.19

Ganis, William B. "Walter Martin & Paloma Muñoz. Islands", Glass Quarterly, June, pg.77

Yablonski, Linda. "Walter Martin & Paloma Muñoz: A Romance", exhibition catalog essay, "Islands", PPOW Gallery, New York

D'Acosta, Sema. "Blanco y Negro (Petroleo y Nieve)", La, March

Alemany, Luis. "El Arte en la era del calentamiento global", El Mundo, Feb. 17

Vidal Olivera, Jaume. "Walter Martin & Paloma Muñoz", El Mundo, Feb. 21

Nunez-Fernandez, Lupe. "Martin & Muñoz at the Nassauicher Kunstverein, Wiesbaden",, March

O'Neal, Lauren. "Report from Helsinki", Art New England, October/November

Somerstein, Rachel. "The Weather Inside is Frightful", Artnews, Oct. p.p. 122-125

French, Christopher. "Ars'06: Sense of the Real", Art Papers, Sep-Oct, p. 48-49

Lange, Christy."Ars'06", Frieze, Summer Issue, p. 278

Simon, Amy. "Ars 06", Artforum, April, p.290

Herzog, Samuel. "Hüsteln im Paradies", Neue Zürcher Zeitung, March 7th, Nr.55, p. 37

Hirvonen, Ari. "Encounters on Emerging Boundary Spaces", Cataloge from "Sense of the Real" Ars 06, Museum of Contemporary Art KIASMA, Helsinki, p.p. 39-45

Olmo, Santiago B. "Winter Journey", Cataloge from "Sense of the Real" Ars 06, Museum of Contemporary Art KIASMA, Helsinki, p.p. 160-163

Hannele, Jäämeri. "Lähde tunteisiin", Suomen Kuvalehti, January, p.3, 46-47

2005 Hake, Elaine. "Little Ball of Horrors", The First Post, December 24th

Dawson, Jessica. "Reflecting on a Cultural Divide", The Washington Post, October 6, p. C08

Kleiman, Molly. "People Sticking their Heads into Things", NY Arts Magazine, Sept-Oct Vol. 10, No 9/10

"Cold Case: Walter Martin & Paloma Muñoz", The New York Sun, Jan 14-16, p. 14

“Walter Martin & Paloma Muñoz”, The New Yorker, Feb 7, p. 17

2004 Alarcon, Pedro. “Walter Martin & Paloma Muñoz”, La Fresa, Julio.

Camper, Fred. Critic’s Choice, “Walter Martin & Paloma Muñoz”, Chicago Reader,
February 20, p. 24.

Alvarez Enjuto, Jose Manuel. “Walter Martin & Paloma Muñoz”, Lapiz, Isuue 2003,
May-June, p.91.

G. Artner, Alan. “McElheny succumbs to Glass’ Seductiveness”, Chicago Tribune, Feb. 27, p. 25.

B. Olmo, Santiago. “Viaje de Invierno”, Catalogo MUA, Alicante

2003 McCormick, Carlo. “Elegy in White: Walter Martin & Paloma Muñoz”, Aperture, Winter Issue #173, pp. 18-31.

Jarque, Fietta. “Misteriosos Cuentos en la Nieve”, El Pais, Babelia, December 13, p. 26.

H. Pozuelo, Abel. “Walter Martin & Paloma Muñoz”, EL Mundo, November 20.

Kimmelman, Michael. “A Seasonal Migration of Cultural Scope”, The New York Times , August 8th , Page E29, reproduction.

Johnson, Ken. “Travelers: Walter Martin & Paloma Munoz”, The New York Times, Jan, 17th, Art in Review, page E 48

Johnson, Ken. “Travelers: Walter Martin & Paloma Muñoz”, The New York Times, Art Guide, January 23, p. E49

Paredes, Tomas. “Walter Martin & Paloma Munoz: Cuentos de Invierno”, EL Punto, February 3

2001 Crowder, Joan. “Different Strokes,” Santa Barbara New Press – Scene, Jan. 7, pp. 6.

Wilson, Rob. “Walter Martín & Paloma Muñoz”, Sculpture Magazine, Summer, pg 14.

Vogel, Carol. New York Times, March 2, p. E34

2000 Catalogue. Canal de Seducción, with text by Mon Montoya, Valladolid, Spain

1999 Art Brooklyn, The New Yorker, “Walter Martin & Paloma Muñoz”, Sept 27, pg 14

Catalogue. Espacio Caja de Burgos, Burgos, Spain

Laster, Paul. “Brooklyn Spice”,, October

1998 Barr, Tom. Review (Objectivity: International Objects of Subjectivity, Contemporary Art Center of Virginia) Sculpture, November.

Johnson, Ken. New York Times, Friday, March 6, p. E43.

Chambers, Christopher. “Picks,” NY Arts, March-April 1998, p. 35

1997 Annas, Teresa. “Worldly Visions,” The Virginian Pilot, December 13, p.13, E5.

Hanzal, Carla, Objectivity: Pursuing the Subjective, exhibition catalogue reproductions, published by Contemporary Art Center of Virginia.

Faultline. Journal of Art and Literature, Volume V. reproductions, front p. 61, November.

Smith, Roberta. “Sculpture Adorns the Urban Terrain,” The New York Times, August 8, p. 23.

Le Millenium, no. 19, “In To - Out Of,” p. 4.

Gannett Newspapers, “Art Scene", p. 14C.

Raynor, Vivian. “From a Partnership of ‘Elements’ to a Show of Playfulness"The New York Times, February 23

Hudson Valley, “Chuckle, Chuckle,”  February

1996 Catalogue. Walter Martin & Paloma Muñoz, with essay by Dan Cameron. P·P·O·W, New York; Galería Moriarty, Madrid.

Gear, Josephine. “Changing Places,” Review, November 1, p. 18

1995 El Punto, “Más participación extranajera, 75 galerías con oferta de nivel,” February 10-16, p. 18

Babelia (El País), “Poderoso caballero,” February 11, pp.6-7

El País, “La feria cierra con un aumento de ventas y publico,” February 15, p. 39

Diario, “La Feria de Arte Contemporáneo se clausuró con excelentes resultados de visitantes y de ventas,” February 15, p. 49

Catalogue, ARCO 1994

Village Voice, “Choices,” October 27, p. 84

El Punto, “Paloma Muñoz & Walter Martin: Historias cortas de curas y terapias,”
October 23, p. 24

1993 Catalogue, Art/Functional Art, Turbulence, New York, NY.

Catalogue, Parameters: Walter Martin, The Chrysler Museum. Norfolk, VA.

McGreevy, Linda. “Irony and Melancholy Haunt Norfolk Native’s Newest Work,” July.

Van Horn, Virginia. “Martin masters sleight of hand in Chrysler exhibit,” The Virginian-Pilot and The Ledger-Star, August 22

Annas, Teresa. “Pianos, clocks inhabit artist’s surreal world,” The Virginian-Pilot and The Ledger-Star, July 17

1991 Levin, Kim, "Choices," The Village Voice, February 20.

Levin, Kim, "Choices," The Village Voice, August 13.

The New Yorker, Soho Galleries, October 21.

Nikkei Art, 1992/6, p. 195

1990 Woodard, Josef, "Space and Matter," The Independent, April 5, p. 30

Freeman, Phylis, review, New Art, p. 130-131

New Art, Harry N. Abrams, Inc., New York, NY, p. 130-131

ARCO '90, Ajoblanco, reproduction, March, p. 45, Spain

"Cajon de Sastre para visitantes de escultura," ABC, p. 128, Spain

1989 Porges, M.F., "The Shape of Reason," Shift, Number 2, San Francisco, CA, Spring

Stern, William, "Sculpture: Inside Outside," Cite, Summer, p. 20

Whitmore, Laura, "Outdoor Exhibition," Sculpture, May/June, p. 14

Sculpture: Inside Outside, essay by Carter Ratcliff, Walker Art Center, Minneapolis, MN; Rizzoli, NY; pp. 14, 44, 45, 166-173

Taylor, Paul, "Art Object Lessons," House and Garden Magazine, October, p. 68

1988 Levin, Kim, "Choices," The Village Voice, February 23, p. 40

Smith, Roberta, "An Array of Artists, Styles and Trends in Downtown Galleries," The New York Times, Friday, February 26, p. C48

Leigh, Christian, Review, Artforum, May, p. 144

Martin, Mary Abbe, "Strange Things Put on View at Walker Center," Star Tribune, Minneapolis, MN, Sunday, May 22

Maggi, Laura, "A New York, Una Galleria Minimalista," Casa Vogue, Italian, June, p. 138

Brenson, Michael, "Coming to Grips with Sculpture," New York Times, Sunday, June 19, p. 33,41

Martin, Mary Abbe, "Splendor in the Grass",  Artnews, October, p. 126-130

Raynor, Vivien, "Outdoor Sculpture With a Critical Note," The New York Times, Sunday, Oct. 30

McCormick, Carlo, Exhibition Catalogue, Collide-A-Scope: The divergent perspectives of contemporary art's many facets, Galleri OTSO, Norrkopings, Konstmuseum, Goteborgs Konsthall, Sundsvalls Museum, Sodertalje Konsthall

1987 Lathern, Alexia, Review of Exhibition at P·P·O·W, 108 An East Village Review, March/April

1986 Sichel, Andy. Review of Exhibition at P·P·O·W, DOWNTOWN, June 18, p.6-7A.

Panicelli, Ida. “Alice in Wonderland (Letter from New York),” NIKE New Art in Europe, July/August/September Issue, p. 75.

Cameron, Dan, Review of Exhibition at P·P·O·W, Flash Art, October/November Issue, p. 75

APPEARANCES, Number 13, Fall/Winter 1986-87, p. 22

1985 Shannon, Mark. Review of Exhibition at P·P·O·W, ARTS Magazine, February

1984 Raynor, Vivien. Review of Exhibition at P·P·O·W, The New York Times, Friday, November 30

Lectures Aperture Foundation, New York, NY.
Illinois University Carbondale, Carbondale, IL. 
SUNY, New Paltz, NY. 
The Chrysler Museum, Norfolk, VA. 
School of Visual Arts, New York, NY.
Princeton University, Princeton, NJ. 
University of Memphis, Memphis, TN. 

Santa Barbara Contemporary Arts Forum, Santa Barbara, CA.
UCSB, Santa Barbara, CA.
Arkansas State University, Jonesboro, AK

Grants and Awards

2007                Received a fellowship from the Pennsylvania Council on the Arts

1988                P.S.1 Studio Program, Long Island, NY


NYU Langone, New York, NY
University of Arizona Museum of Art, Tucson, AZ
The Toledo Museum of Art, Toledo, Ohio
Walker Art Center for the Arts, Minneapolis, MN
Miami Museum of Art, Miami, FL
The Hunter Museum of American Art, TN
Museum of Art and Design, New York, NY
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
CAB Centro de Arte Caja de Burgos, Burgos, Spain
Colección Testimonio, La Caixa, Barcelona, Spain
Aperture Foundation, New York, NY
Museo de la Universidad de Alicante, Spain
Prosegur, S.A., Spain
Ayuntamiento de Pamplona, Spain
Colección Norte,Gobierno de Cantabria, Spain
CAC Málaga, Spain
MTA Arts for Transit, New York, NY
MTA Metro Art, Los Angeles, CA
Adam Baumgold Gallery, New York, NY
Bloomberg L.P., New York, NY
21C Museum Foundation,  Louisville, KY
Progressive Insurance Corporation, Cincinnati, OH
Nerman Museum of Contemporary Art, Overland Park, KS
KIASMA Museum of Contemporary Art, Helsinki, Finland

And private collections in the USA and Europe.