 |
||
| Born 1965 in
Madrid, Spain |
||
One Person Exhibitions |
||
| 2012 | Night
Falls, P·P·O·W,
New York, NY |
|
| 2011 |
White
Nights, University of Michigan Institute for the Humanities,
Ann Arbour, MI |
|
| 2010 | Travelers, Shinsegae Gallery, Seoul, South Korea | |
| 2009 |
Walter Martin & Paloma Muñoz:
Wayward Bound, John Michael Kohler Arts Center, Sheboygan, WI |
|
| 2008 |
Buried
'till Spring, Galeria Isabel Hurley, Malaga, Spain Objects and Photographs, Bentley Gallery, Scottsdale, AZ Islands, P.P.O.W, New York, NY |
|
| 2007 | Photographs, Cerealart
Project
Room,
Philadelphia,
PA Secrets Sleep In Winter Clothes, MAM Mario Mauroner Contemporary Art, Vienna, Austria White Out, ARCO Projects,Madrid, Spain |
|
| 2005 | Cold Front, P.P.O.W Gallery, New York, NY | |
| 2004 | The Frigid Zone,
Mario Mauroner Contemporary Art Salzburg, Austria Travelers, Museo de la Universidad de Alicante, Spain Travelers, Rhona Hoffman Gallery, Chicago, IL |
|
| 2003 | Travelers, P·P·O·W,
New
York,
NY Travelers, Moriarty Gallery, Madrid, Spain |
|
| 2001 | P·P·O·W, New York, NY | |
| 2000 | Loss of Experience, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA | |
| 1999 | Dis,
Momenta, Brooklyn, New York Espacio Caja Burgos, Burgos, Spain |
|
| 1998 | P·P·O·W, New York, NY | |
| 1997 | Alejandro Sales Gallery, Barcelona, Spain | |
| 1996 | P·P·O·W,
New York, NY Moriarty Gallery, Madrid, Spain |
|
|
1994
|
P·P·O·W,
New York, NY |
|
Selected Group Exhibitions |
||
| 2012 | Fairy Tales, Monsters, and the Genetic Imagination, Frist Center for the Visual Arts, Nashville, TN | |
| 2011 | Peace on Earth: Art Against War, Forum
Gallery,
New
York,
NY Otherworldly, Museum of Arts and Design, NY Travelers: Objects of Dream and Revelation, Bellevue Arts Museum, Bellevue, WA The Art of Caring: A Look at Life through Photography, MOA Fort Lauderdale, FL travels to The Art Museum of South Texas, Corpus Christi, TX |
|
| 2010 | At
the
Edge: Subversive Ideas and New Forms, Portsmouth
Museum Art, NH Transparency and Trans-formations in Contemporary American Art, US Residence Stockholm, Sweden The Art of Caring: A Look at Life through Photography, Cincinnati Museum Center, Cincinnati, OH SHOOT!, Imago Galleries, Palm Desert, CA It's a Set-up, Museum of Contemporary Art Kiasma, Helsinki, Finland |
|
| 2009 |
We, Mario Mauroner Contemporary
Art Salzburg, Austria Ultra Sonic, Mark Moore Gallery, Santa Monica, CA New Now, Nerman Museum of Contemporary Art, Overland Park, KS Playing Around, The Brattleboro Museum and Art Center, Brattleboro, VT The Art of Caring, New Orleans Museum of Art, New Orleans, LS The Garden at 4 P.M., Gana Art, New York, NY Efecte Souvenir, DHUB Montcada, Barcelona, Spain The Beauty of the Mistake, LX Factory, Lisbon, Portugal La Vida Privada, Colección de Josep Maria Civit, MUBAG, Alicante, Spain |
|
| 2008 |
Cool!,
George Adams Gallery,
New York, NY Caucus, Schroeder Romero Gallery, NY Artists Plates, Nohra Haime Gallery, New York La Vida Privada, Colección de Josep Maria Civit, CDAN, Fundación Beulas, Huesca, Spain Paris Photo, Aperture Foundation, New YorK |
|
| 2007 |
Am
Schlimmsten / Nicht im Sommer
sterben, Nassauicher Kunstverein
e.v.,Wiesbaden, Germany Lost in the Woods, University of Arizona Museum of Art, Tucson, AZ |
|
| 2006 | Das
Leben ein nicht endendes Fieber, Galerie Eugen Lendl, Graz,
Austria Little Disasters, Mauroner RoomnumberOne, Vienna, Austria Fête, Locks Gallery, Philadelphia, PA Through the Rabbit Hole: Sleights of Scale and Flights of Fantasy, 21C Museum Foundation, Louisville, KY Escenografías Simuladas. Fondos de la Colección Caja de Burgos, Iglesia de Santa Eulalia dei Catalani , Palermo, Italy. Travels to Instituto Cervantes, Stockholm, Sweden Paradisio & Inferno, Mario Mauroner Contemporary Art, Salzburg , Austria Double Take, Schroeder Romero Gallery, New York,NY Sense of the Real, Ars'06, Museum of Contemporary Art KIASMA, Helsinki, Findland New Art, New York: Reflections on the Human Condition, Hangar 7-Red Bull Kunsthalle, Salzburg, Austria An Assessment of Contemporary Figuration, David Klein Gallery, Birmingham, Michigan Where Truth Lies, Anne Reed Gallery, Ketchum, ID Foreign Affair, Albany Arts and Culture Program at the Albany International Airport, Albany, NY From the Island of Misfit Toys, Ben Maltz Gallery, OTIS College of Art and Design, Los Angeles, CA Art Brussels, MAM Mario Mauroner Contemporary Art, Belgium CIGE, China International Gallery Exposition, Galeria Moriarty, Beijing, China |
|
| 2005 | Art Cologne,
Mario Mauroner Contemporary Art, Cologne, Germany The Empire of Sighs, Numark Gallery, Washington, DC Summertime, Mario Mauroner Contemporary Art, Vienna, Austria New Art, New York: Reflections on the Human Condition,Trierenberg Holding AG, Traun, Austria Memoria y Deseo, Fundacion Foto Colectania, Barcelona, Spain In Focus: Contemporary Photography fromt the Allen G. Thomas Jr. Collection, North Carolina Museum of Art, Raleigh, NC Presencias/ Ausencias, CAB, Burgos, Spain Along the Way, UBS Gallery, New York ARCO, Galeria Mariarty, Madrid, Spain Foreign Affair, The Center for Photography at Woodstock, NY Rearranged/Redefined: Domestic Objects Reconsidered, Main Line Art Center, Haverford, PA |
|
| 2004 | Le Drôit
de Rève, Mario Mauroner Contemporary Art Salzburg, Austria ARCO, Galería Moriarty, Madrid, Spain The Art Show, PPOW Gallery, New York, NY Miami Art, PPOW Gallery, New York, NY Art Cologne, Galerie Academia, Salzburg, Austria |
|
| 2003 | MetroSpective
at City Hall Park, Public Art Fund, New York, NY Multiple, Nassau Museum of Contemporary Art, Long Island, NY Decade, Schroeder-Romero Gallery, Brooklyn, NY Hot Summer in New York, Sean Kelly Gallery, New York, NY Miami Art, PPOW Gallery, New York, NY White, Bill Maynes Gallery, New York, NY |
|
| 2001 | Animas!,
The Rotunda Gallery, Brooklyn, NY Mimic, GaleGates Gallery, Brooklyn, NY |
|
| 2000 | Canal de
Seduccion, Valladolid, Spain Fantasies and Curiosities, The Art Museum, Florida Int. University, Miami, FL Plastic Monuments, Centro Municipal de Exposiciones Subte, Montevideo, Uruguay |
|
| 1999 | True West,
P·P·O·W, New York, NY |
|
| 1998 | De Imagenes y
Soportes, curated by P. Navares, Palacio Revillagijedo, Gijon,
Spain Rights of Spring, P·P·O·W, New York, NY Memorial Book, Museo Pablo Gargallo, Zaragoza, Spain Visions de Futur’98, Can Paulet Sales d’Exposicions, Mataro, Spain |
|
| 1997 | Objectivity:
International Objects of Subjectivity, Contemporary Art Center of
Virginia, Virginia Beach, VA No Small Feat: Investigations of the Shoe is Contemporary Art, Rhona Hoffman Gallery, Chicago, IL Wit, Whimsy & Humor, curated by Mary Close, Castle Gallery, College of New Rochelle, New Rochelle, NY The Chalkboard Chronicles, TZArt & Co., NY |
|
| 1996 | Domestic
Partnership, Art in General, New York, NY Thinking of You: A Collection of Contemporary Spain, Gotheborg Kunstmuseum, Sweden Group Hanging, Griffin Linton Gallery, Venice, CA Changing Places, MetroTech Center, The Public Art Fund, Brooklyn, NY Restos Humanos, Galeria Alejandro Sales, Barcelona Spain The Subverted Object, Ubu Gallery, NY |
|
| 1995 | Revisiting the
Landscape, California Center for the Arts, Escondido, CA USA in ARCO, curated by Kevin Consey, Madrid, Spain |
|
| 1994 | Trajectories,
The Spanish Institute, New York, NY The Body Human, Nohra Haime Gallery, New York, NY |
|
| 1990 | Les Etoiles de
la Peinture, A.T. Gallery, Paris, France In Situ, Künstlerhaus Hamburg, curated by Sabine Mohr, Hamburg, Germany |
|
| 1989 | Otras Miradas,
curated by Lola Garrido, Canal de Isabel II, Madrid, Spain Talleres de Arte Actual, Círculo de Bellas Artes, Madrid, Spain |
|
| 1987 | El Jardin de las Sombras, Casa del Reloj, Madrid, Spain | |
| 1986 | Bienal del
Mediterraneo, Barcelona, Spain Madrid, Ciudad Abierta, Universidad Menendez Pelayo, Santander, Spain |
|
Outdoor Sculptures and Installations |
||
| 2012 | "Starting To Sea", John Hopkins Hospital, Baltimore, MD | |
| 2005 | "Travelers", Wilshire/Normandie Metro Rail Station, MTA Metro Art, Los Angeles, CA. | |
| 2004 | "MetroSpective at City Hall Park", City Hall Park, New York, Public Art Fund, NY. | |
| 2002-03 | "Travelers", Grand Central Terminal, MTA Arts for Transit, NY. | |
| 2001 | "Forbidden Door", Bloomberg LP, Public Art Fund, NY | |
| 1997-2000 | "A Gathering", MTA’s Arts for Transit Program, Canal Street Station on the A and the C Lines, New York, NY | |
| 1998 | Metro Tech Center, The Public Art Fund, Booklyn, NY | |
| 1996 | "Changing Places", Metro Tech Center, Public Art Fund, Brooklyn, NY | |
Grants and Awards |
||
| 2007 |
Received a 2007 fellowship from the Pennsylvania Council on the Arts | |
| 1994-96 | Grants from the Spanish Ministerio de Cultura | |
| 1992 | Grant, Graphic
Design at CETECAM by the Comunidad Autonoma de Madrid, Spain Petra scholarship from the EEC |
|
| 1990 |
Grant of the
Künstlerhaus Hamburg e.v., Germany in association with the
Ministerio de Cultura of Spain Third Prize in the International Art Contest, “Les Etoiles de la Peinture,” Paris, France |
|
| 1987 |
Second Prize “Festival de
Video,” Instituto de la Mujer, Madrid, Spain |
|
Selected Bibliography |
||
| 2012 | "Fairy Tales, Monsters and the Genetic Imagination", Edited by Marc Scala, Paperback, Frist Center for the Visual Arts | |
| 2011 | Herman, Jane. Come
and Get It!, Interview, NY Times T Magazine, December 2nd, 2011 Upchurch, Michael. "BAM's 'Travelers': postcards from the Edge", Seattle Times, Sep. 15 |
|
| 2010 | Gray Stites, Alice. "What is Now, What is next: Transparency and Trans-formations in Contemporary American Art", Catalogue Essay Transparency, U.S. Embassy Stockholm, Sweden. | |
| 2009 | Olaussen,
Hege.
"Snøkuler som samtidskunst", Kunst Og Kultur, Nr. 4/
2009
Årg. 92 p.p.230-239 Clark, Tim. "Walter Martin & Paloma Muñoz", 1000 Words Photography, Fall 2009 #06 Rice, Robin. "Encasement", Glass Quarterly, Winter Issue 113, pg |
|
| 2008 | Dambert, Samuel &
Guiguet, Anne-Sophie, "Nuit Blanche", Citizen K International,
p.p. 140-141 Harrod, Horatia. "All Shook Up", The Sunday Telegraph, November 16th, pg 26-27 Lethem, Jonathan. "Travelers", artists' monograph, Aperture , 96 pages, 40 full color plates Clark, Tim. "Travelers", Next Level magazine, Issue 14, p.p. 14-21 McGee, Celia. "Aesthetic Heft, Sized for a Snow Globe", The New York Times, Arts & Leisure, January 6th, pg.19 Ganis, William B. "Walter Martin & Paloma Muñoz. Islands", Glass Quarterly, June, pg.77 Yablonski, Linda. "Walter Martin & Paloma Muñoz. Islands", Catalogue Essay, "Islands", PPOW Gallery, New York |
|
| 2007 |
D'Acosta, Sema. "Blanco y
Negro
(Petroleo y Nieve)", La
Fresa.org, March. Alemany, Luis. "El Arte en la era del calentamiento global", El Mundo, Feb. 17 Vidal Olivera, Jaume. "Walter Martin & Paloma Muñoz", El Mundo, Feb. 21 Nunez-Fernandez, Lupe. "Martin & Muñoz at the Nassauicher Kunstverein, Wiesbaden", saatchi-gallery.co.uk, March |
|
| 2006 |
O'Neal, Lauren. "Report
from
Helsinki", Art New England,
Cctober/November Somerstein, Rachel. "The Weather Inside is Frightful", Artnews, Oct. p.p. 122-125 French, Christopher. "Ars'06: Sense of the Real", Art Papers, Sep-Oct, p. 48-49 Lange, Christy."Ars'06", Frieze, Summer Issue, p. 278 Simon, Amy. "Ars 06", Artforum, April, p.290 Herzog, Samuel. "Hüsteln im Paradies", Neue Zürcher Zeitung, March 7th, Nr.55, p. 37 Hirvonen, Ari. "Encounters on Emerging Boundary Spaces", Cataloge, "Sense of the Real" Ars 06, Museum of Contemporary Art KIASMA, Helsinki, p.p. 39-45 Olmo, Santiago B. "Winter Journey", Cataloge, "Sense of the Real" Ars 06, Museum of Contemporary Art KIASMA, Helsinki, p.p. 160-163 Hannele, Jäämeri. "Lähde tunteisiin", Suomen Kuvalehti, January, p.3, 46-47 |
|
| 2005 | Hake, Elaine. "Little
Ball of
Horrors", The First Post,
December
24th Dawson, Jessica. "Reflecting on a Cultural Divide", The Washington Post, October 6, p. C08 Kleiman, Molly. "People Sticking their Heads into Things", NY Arts Magazine, Sept-Oct Vol. 10, No 9/10 "Cold Case: Walter Martin & Paloma Muñoz", The New York Sun, Jan 14-16, p. 14 “Walter Martin & Paloma Muñoz”, The New Yorker, Feb 7, p. 17 |
|
| 2004 | Alarcon, Pedro.
“Walter Martin & Paloma Muñoz”, La Fresa, Julio. Camper, Fred. Critic’s Choice, “Walter Martin & Paloma Muñoz”, Chicago Reader, February 20, p. 24 Alvarez Enjuto, Jose Manuel. “Walter Martin & Paloma Muñoz”, Lapiz, Isuue 2003, May-June, p.91 G. Artner, Alan. “McElheny succumbs to Glass’ Seductiveness”, Chicago Tribune, February 27, p. 25 B. Olmo, Santiago. “Viaje de Invierno”, Catalogo MUA, Alicante |
|
| 2003 | McCormick, Carlo.
“Elegy in White: Walter Martin & Paloma Muñoz”, Aperture,
Winter
Issue
#173,
pp.
18-31 Jarque, Fietta. “Misteriosos Cuentos en la Nieve”, El Pais, Babelia, December 13, p. 26 H. Pozuelo, Abel. “Walter Martin & Paloma Muñoz”, EL Mundo, November 20. Kimmelman, Michael. “A Seasonal Migration of Cultural Scope”, The New York Times , August 8th , Page E29 Johnson, Ken. “Travelers: Walter Martin & Paloma Munoz”, The New York Times, Jan, 17th, Art in Review, page E 48 Johnson, Ken. “Travelers: Walter Martin & Paloma Muñoz”, The New York Times, Art Guide, January 23, p. E49 Paredes, Tomas. “Walter Martin & Paloma Munoz: Cuentos de Invierno”, EL Punto, Feb 3rd |
|
| 2001 | Crowder, Joan.
“Different Strokes,” Santa Barbara New Press – Scene, Jan. 7,
pp. 6 Wilson, Rob. “Walter Martín & Paloma Muñoz”, Sculpture Magazine, Summer, pg 14 Vogel, Carol. New York Times, March 2, p. E34 |
|
| 2000 | Catalogue. Canal de Seducción, with text by Mon Montoya, Valladolid, Spain | |
| 1999 | Art Brooklyn, The New Yorker,
“Walter
Martín
&
Paloma
Muñoz”,
Sept
27,
pg
14 Catalogue. Espacio Caja de Burgos, Burgos, Spain Laster, Paul. “Brooklyn Spice”, Artnet.com, October |
|
| 1998 | Barr, Tom. Review
(Objectivity: International Objects of Subjectivity, Contemporary Art
Center of Virginia) Sculpture, November Johnson. New York Times, Friday, March 6, p. E43 Chambers, Christopher. “Picks,” NY Arts, March-April 1998, p. 35 |
|
| 1997 | Annas, Teresa,
“Worldly Visions,” The Virginian Pilot, December 13, pp. 13, E5 Hanzal, Carla, Objectivity: Pursuing the Subjective, exhibition catalogue, reproductions, published by Contemporary Art Center of Virginia Faultline. Journal of Art and Literature, Vol. V. reproductions, front page, 61, November Smith, Roberta, “Sculpture Adorns the Urban Terrain,” The New York Times, August 8, page 23. Le Millenium, no. 19, “In To - Out Of" Gannett Newspapers, “Art Scene,” reproduction, p. 14C Raynor, Vivian. “From a Partnership of ‘Elements’ to a Show of Playfulness,” The New York Times Hudson Valley, “Chuckle, Chuckle,” reproduction, February |
|
| 1996 | Catalogue. Walter
Martin & Paloma Muñoz, essay by Dan Cameron,
P·P·O·W, New York; Galería Moriarty, Madrid Gear, Josephine. “Changing Places,” Review, November 1, p. 18 |
|
| 1995 | El Punto,
“Más participación extranajera, 75 galerías con
oferta de nivel,” February 10-16, p. 18 Babelia (El País), “Poderoso caballero,” February 11, pp. 6-7 El País, “La feria cierra con un aumento de ventas y publico,” February 15, p. 39 Diario, “La Feria de Arte Contemporáneo se clausuró con excelentes resultados de visitantes y de ventas,” February 15, p. 49 |
|
| 1994 | Catalogue, ARCO
1994 Village Voice, “Choices,” October 27, p. 84 El Punto, “Paloma Muñoz & Walter Martin: Historias cortas de curas y terapias,” October 23, reproduction, p. 24 |
|
| 1991 | El Pais,
“Premios,” February 10 Actualidad Aconómica, “Y Además Pintura,” February 10 Asociacion de Ideas, “Premios,” February 10 Elle, February Issue |
|
| 1990 | Die Tageszeitung,
Galerienspiegel, August 22 Hamburger Morgen Post, “sechs Wochen Hamburg in Farbe, Comic und Blei,” August 27 El Punto, “Premios Las Estrellas de la Pintura,” December 14 Catalogue, Les Etoiles de la Peintura, December 14 |
|
| 1989 | Paredes,
Tomás, “Otras Miradas, Los ámbitos que nacen,” El
Punto, January LAPIZ, “Las Otras Miradas,” January Issue |
|
| 1988 | Catalogue, José
Manuel Costa, p. 12, reproductions, p. 67-77 Castaño, Adolfo. “Las Otras Miradas,” ABC, December 29 |
|
| 1986 | Catalogue, Bienal
del Mediterraneo, p. 146 Catalogue, Madrid, Ciudad Abierta, p. 6 |
|
| Lectures | Aperture Foundation, New York, NY.
Southern Illinois University
Carbondale,
Carbondale,
IL.
SUNY, New Paltz, NY. Santa Barbara Contemporary Arts Forum, Santa Barbara, CA. UCSB, Santa Barbara, CA. Escuela de Bellas Artes de Altea, Alicante, Spain. |
|
| Collections University of Arizona Museum of Art, Tucson, AZ The Toledo Museum of Art, Toledo, Ohio The Hunter Museum of American Art, TN Miami Museum of Art, Miami, FL Museum of Art and Design, New York, NY Aperture Foundation, New York Centro de Arte Reina Sofía, Madrid, Spain Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain CAB Centro de Arte Caja de Burgos, Burgos, Spain La Caixa, Colección Testimonio, Barcelona, Spain Museo de la Universidad de Alicante, Spain Prosegur, S.A., Spain Ayuntamiento de Pamplona, Spain CAC Málaga, Spain MTA Arts for Transit, New York, NY MTA Metro Art, Los Angeles, CA Coleccion Norte, Gobierno de Cantabria, Spain ACCORD Collection, Paris, France Bloomberg L.P., New York, NY 21C Museum Foundation, Louisville, KY Progressive Insurance Corporation, Cincinnati, OH Nerman Museum of Contemporary Art, Overland Park, KS KIASMA Museum of Contemporary Art, Helsinki, Finland And private collections in the USA and Europe. |
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